《聲無哀樂論》研究述評.pdf

1、東北師范大學碩士學位論文《聲無哀樂論》研究述評姓名：李曉岑申請學位級別：碩士專業(yè)：音樂學指導(dǎo)教師：趙會生20090601AbstractInWeiJinDynastyJiKangisawellknownwriterthinkerandmusicianHeisoneoftherepresentativesinWeiJinmetaphysicsRuanJi，XiangXiuShanTao，LiuLing，RuanXian，WangRonga

2、ndJiKangarecalledSevenMagiofBambooJiKangnotonlyhasuniquetheoreticalinsights，butalsohasaconsiderablewealthofmusicexperienceGuangLingsanwhichheplayedoccupiesaveryimportantpositionintheQinhistoryofourcountryBesidesNoFuneral

3、MusicTheorywhichwillbeintroducedinthethesis，JiKangalsohasotherbooksaboutaestheticsofmusic，includingQinFuandJiShiSiNong(alsonamedChangCe，DuanCe，ChangOingDuanQing)JiKang’SworknamedNoFuneralMusicTheoryiscalledanepochmakingw

4、orkonaestheticsofmusicItsbasicpointis“soundwithoutsadness”ThefullthesisappliesthewayofquestionsandanswersbetweentwopersonsnamedQinkeandDongyezhurenThethesisistargetedtefutethetraditionallackofaestheticthinkingAndthendiss

5、erthisownthinkingonaestheticsofmusicThisthesiswilluseJiKang’SNoFuneralMusicTheoryasthebaseoftheresearchThethesisincludessevenparts：theoreticalbasisofJiKang’Sthinkingonaestheticsofmusic；thephilosophicalbasisofhisthinking；

6、appraisalofJiKang’Spersonality；whetherornottopromote‘‘Silentmusic’’and‘theVoiceofZheng’；theinterpretationoftoneandsound；whetherthethesisbelongsto“selfdiscipline”ornotBytheillustrationofthedetailsofsevenparts，wewillunders

7、tandthestudyofJiKang’SNoFuneralMusicTheoryintheacademicworldWewillsummarizetheacademicpointofviewanddiscusswriter’SopinionThisthesisstrivestostudyJiKang’SworkNoFuneralMusicTheoryasabreakthroughinordertounderstandJiKang’S

8、personalitycharmandtheessenceofaestheticideologyaswellastolearnhiscontributiontothedevelopmentofmusicinWeiJinanddynastiesafterwardFinallythethesisaimstoshowtheacademicvalueandpracticalsignificanceofJiKang’Sworkandprovide