操縱：對(duì)原文本的重寫——論許淵沖詩歌翻譯中對(duì)原文本的操縱現(xiàn)象.pdf

1、華東師范大學(xué)碩士學(xué)位論文操縱：對(duì)原文本的重寫——論許淵沖詩歌翻譯中對(duì)原文本的操縱現(xiàn)象姓名：林妍申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語語言文學(xué)指導(dǎo)教師：張春柏20050401AbstractThepaperisatentativeanalysisofXuYuanzhong’SpoetictranslationtheoryinthelightoftheManipulationTheoryandtheTranslator’SSubjectivityXu

2、’Stheorylaysgreatemphasisonthetranslator’ScreativityintranslationTheessenceofhistheorycanbesummarizedas“theArtofBeautifization”Specificallyitincludes“threebeautifuls”，(ie“beautifulsense，beautifulsoundandbeautifulform”)an

3、d“three‘一izations’(ie“deepeninzation，equalizationandgeneralization”)withaviewtoenablingthetargetreaderstounderstand，appreciateandadmirethesourcetextAcasestudyofXu’Spoetictranslationiscarriedouttoillustratehowthetranslato

4、rexertshissubjectivityandmanipulatesthesourcetextinordertorealizehistranslationpurposeThepaperconsistsoffivechaptersThefirstchapterdiscussesthecharacteristicsofliterarytranslation，pointingoutthatitisacreativeartLiteraryt

5、ranslationcannotbesimplyassessedbysuchtraditionalcriteriaasequivalenceandfidelityItcallsforthecreativityonthepartofthetranslatorThesecondchapterisaliteraturereviewoftheManipulationTheoryandtheTranslator’SSubjectivityTheM

6、anipulationTheoryregardsliterarytranslationasarewritingofthesourcetext，namelymanipulationThisprocessofmanipulationisrestrictedbythetargetcultureButthistheorylaystoomuchemphasisontheconstraintsofthetargetcultureonthetrans

7、latorInfact，thetranslatorpossessestheabilitiesofmanipulationandanti。manipulationThesetwoaspectsshouldbecombinedtounderstandliterarymanipulationThethirdchapterexploresmanipulationandpoetictranslationHereXuYuanzhong’Stheor

8、yofpoetictranslationtheoryisanalyzedandillustratedtoprovethemanipulationtheoryThefourthchapterdiscussestherelationshipbetweenliterarymanipulationandthepurposeoftranslation，pointingoutthatinliterarymanipulation，thetransla