現(xiàn)代漢詩(shī)的發(fā)生：晚清到“五四”.pdf

1、首都師范大學(xué)博士學(xué)位論文現(xiàn)代漢詩(shī)的發(fā)生：晚清到“五四”姓名：榮光啟申請(qǐng)學(xué)位級(jí)別：博士專業(yè)：文藝學(xué)指導(dǎo)教師：王光明20050401AbstractHowdidthevernacularizedandfreeversestylednewversewhichinoneofthemodernChinesepoetrygenre(itsearlyformisfreeversewritteninthevernacular)emergeItsimma

2、nentreasonsstillhavenotbeenexplainedsufficiently.HowdidthepoetrygothroughlanguageandformtransferenceduringthetransitionperiodfromlateQingDynastytotheMay4“Movementof1919.Poetryisaspecialwayofexpression.Itdoesnotsatisfyhum

3、ansdirectdesireofmeaningandnotreflectrealitystraightly.Itindirectlypresentsexperiencedrealitywithconcretelinguisticformandspecificformmechanism.Whenwediscusstheemergenceofmodernpoetrywemustconsidersomemodernfactorssuchas

4、specifichistoricalcontextthemodernistobjectofintellectualsetc.AtthesametimeitiswritteninChinesethereforewemusttaketheinfluenceonpoetryexertedbythechangeofChineseintoaccount.Furthermorewhethertheoldstylepoetryorthenewvers

5、ewecannotneglecttheonticcharacteristicsofthepoetry.Fromtheperspectiveofthesethreeindispensablefactorsthisarticlereplacesthetraditional“newverse“with“modernChinesepoetry“concepttoinvestigatethehistoricalcontinuitycharacte

6、risticsofChineseandtheonticcharacteristicsofthepoetrywithintheevolvementofpoetry.Startingofffromthe“theagreementoflanguageandexpression“pursuitoflateQingintellectualsandconcretepoetrycreationtotheflourishoffreeversewritt

7、eninvernacularduringtheMay40“Movementof1919thearticlereviewsthecomplexgenesicintertwinementandconcreteviewofmodernChinesepoetryfromtheinteractiveangleofexperiencelanguageandform.KeyWordswayofexpressionthemodernChinesepoe