有意味的形式——論馮至十四行集對于中國新詩文體建設(shè)的意義

1、華中科技大學(xué)碩士學(xué)位論文有意味的形式——論馮至《十四行集》對于中國新詩文體建設(shè)的意義姓名：李佳芳申請學(xué)位級別：碩士專業(yè)：中文現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：王乾坤20090521II華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 Abstract Modern Chinese poetry takes on the contradiction and exchange between east and west. So the history of

2、 modern chinese poetry is full of difficulties while sparkling. On the way, the style is a crucial subject to the development of modern chinese poetry. However, it was deserted for a long time. This thesis tries to discu

3、ss the meaning of sonnet on the modern chinese poetry’s style. Both fengzhi’s works of the 1920s and 1940s keep distance from the mainstream, especially for the sonnets. Maybe the contemplative time give birth to his son

4、nets. This consciousness of poetry style made his great accomplishment. This thesis begins with the origin and history of sonnet, then discusses the style traits of sonnets, and analyzes its architectural and musical bea

5、uty. Compared it with sonnet in west country, and probe into the difference. Think about the reason how the difference happened. And then, the aesthetics traits of sonnets are described from the whole framework and the a

6、esthetic ideal respectively. It is especially revealed that his sonnet was born from the duel effects of the traditional and German culture. Then , we go into the history of modern Chinese poetry. On the one hand, the op

7、position of liberalization and standardization in modern Chinese poetry is described. On the other hand, the misunderstanding of the liberalization and standardization is also introduced. At last, we analyze how the sonn