北宋李成傳派山水畫研究

1、河南大學(xué)碩士學(xué)位論文北宋李成傳派山水畫研究姓名：黃偉申請學(xué)位級別：碩士專業(yè)：藝術(shù)學(xué)指導(dǎo)教師：彭亞2011-05IIIABSTRACT To the Northern Song dynasty, Chinese landscape painting art gradually developed to the heyday. In the times great painters successively awppeared and Li

2、 Cheng was the most popular among them .When people were just talking about landscape painters ,all regarded LiCheng was ancient and then first. LiCheng began to learn from Jing Hao and Guan Tong who were two well－known

3、artists,Then he innovated deeply and finally formed his unique natural style.On the theme and content, LiCheng's cold forest ,tree branches, rock, pine, overlapping vapour are all extremely consummate and full of pe

4、rsonality; refers to the painting techniques,they are characteristic of fine linen, with exquisiteink and linellae,on the composition of a picture, the flat－far artistic conception is characteristic of fresh wilderness,

5、desolate scattered, quite emotional colors. The comprehensive factors overall display on the picture, extremely attractive, caused numerous people scrambling to worship and learn,from then on, formed powerful genre pheno

6、menon in Northern Song Dynasty. The earlier stage of scholars who learned from LiCheng included XuDaoning, YanSu,ZhaiYuanshen, etc.XuDaoning was the most popular among them. LiCheng's landscape painting contains mu

7、ch performance such as flat－far, hilly landscape which is different from the “behold a high mountain with awe” popular feature in northern landscape painting. XuDaoning learned from LiCheng,at the same time,he also devel

8、oped LiCheng's “brief“ characteristics, became more bold and unconstrained, more and more fully and delightfully. But overall, XuDaoning's landscape painting more or less copied too many things of LiCheng, so the

9、 ancients reviewed that imitating too much that no innovation. Other painter also imitated LiCheng too much, so, refers to the style－development , the contribution of LiCheng－genre landscape painting is not big. So, the