重寫與顛覆——《小團(tuán)圓》與張愛玲前期作品的互文性研究.pdf

1、海南師范大學(xué)碩士學(xué)位論文重寫與顛覆--《小團(tuán)圓》與張愛玲前期作品的互文性研究姓名：黃梅申請學(xué)位級別：碩士專業(yè)：漢語言文學(xué)指導(dǎo)教師：徐仲佳20112Abstract Taiwan Crown Publishing House heavy launched a posthumous work of Zhang Ailing, “Little Reunion” in 2009, and then leading to another “l(fā)in

2、g hot” after the 2007 film version of “Lust Caution“. The literary circles, even the whole society set off another new research climax. The research has basically started just more than one year after the publication of

3、“Little Reunion”. There has been over dozens of scattered academic papers, but a comprehensive and systematic research article or treatise has yet to appear. After reading “Little Reunion” we’ll find that, there is an in

4、tertextual relationship of alternate explicit with implicit, combining of nihility and reality between “Little Reunion” and some works, like the early works of Zhang Ailing, emotional autobiography of Hu Lancheng “This l

5、ife”, some short memoirs about Zhang Ailing written by Ke Ling and Gong Zhifang. So, this paper attempts to take “Little Reunion” as a case, research the intertextual fact between “Little Reunion” and the early represent

6、ative works of Zhang, “This life”, other related biographies, short memoirs, from the two aspects of content and style, and insight into the possible reasons of this historical change in the continuing and variation betw

7、een these texts, and finally insight into the biography significance in the research of Zhang caused by the publication of “Little Reunion”, based on these above. All this completion thanks to the special nature of “Litt

8、le Reunion”-- autobiographical novel. Biography is one of the oldest forms of history and literature. In China, the biography has a long tradition. Han Dynasty had already emerged biographical history books, but biograph

9、ies before modern times are mostly Chronicle, collective biography and brief biography in co-biographies, and normative biographies specially describing personal narratives are very few. After the Revolution of 1911, wit

10、h a large number of Western literature biography introduced, normative biographies were gradually valued by domestic cultural circles. Artists or everybody began to have his pen and oral for his biography reviewing the p

11、ast in the light of present. However, as a female writer who had great influence on the contemporary literature history of China—Zhang Ailing, has never written a true sense of her autobiography. Even though her biograph