生命的自我救贖——論尼采美學(xué)核心“醉”

1、華中科技大學(xué)碩士學(xué)位論文生命的自我救贖——論尼采美學(xué)核心“醉”姓名：許利敏申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國(guó)現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：王乾坤20080605華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 IIAbstract This paper holds that the core of Nietzsche’s aesthetics is intoxication. Nietzsche’s giv

2、en this word a special mean that is different from its traditional mean, which compose his original contribution to aesthetics. In Nietzsche’s early idea, intoxication is the alias of Bacchus. But in his late works, Bacc

3、hus and Phoebus’s fantasy both become sorts of intoxication, intoxication is defined as a psychological premiss for tasting. Nietzche’s intoxication is not only different from Plato’s divine madness, but also different f

4、rom Chinese neglectness. It is inspired by human’s instinct, and it is the representation and the creation of pure life. Nietzche’s intoxication emphasis on the increation of wil power, and its essence is the affirmation

5、 of body. “God is dead.” The tragedy is inevitable, so Nietzche expected that intoxication could be a way to salvage human beings. When confronted with nihility, human beings need the will to power, sensibility of life a