時代變遷中“關(guān)中油畫現(xiàn)象”藝術(shù)的發(fā)展與前景

1、 1 論文題目：時代變遷中“關(guān)中油畫現(xiàn)象”藝術(shù)的發(fā)展與前景 專 業(yè)：美術(shù)學(xué) 姓 名： （簽名） （簽名） ____ ____陳 凌__ __ 指導(dǎo)教師： （簽名） （簽名） __________ __________ 摘 要 “關(guān)中油畫現(xiàn)象”是我在實(shí)踐中體會到的一種繪畫現(xiàn)象。本文將“關(guān)中油畫現(xiàn)象”此作為論文選題提出原因有二： 一是陜西關(guān)中具有其獨(dú)特的歷史人文和自然地理特點(diǎn)，這種特點(diǎn)吸引著眾多的油畫家對其進(jìn)行關(guān)注與表現(xiàn)；

2、二是地處關(guān)中地區(qū)的西安美術(shù)學(xué)院常常以其地域特征，培養(yǎng)出了許多具有獨(dú)特風(fēng)格的畫家。從繪畫角度看，關(guān)中地區(qū)的歷史積淀在題材方面為繪畫提供了廣闊的創(chuàng)作空間；從地理風(fēng)貌方面看，關(guān)中地區(qū)包括陜北廣袤的關(guān)中平原和溝壑縱橫而又連綿起伏的陜北黃土高原又為畫家們在視覺上提供了無限的遐想和技法表現(xiàn)的獨(dú)特感受。 在繪畫理念上，表現(xiàn)關(guān)中題材的繪畫雖然沒有像“四川油畫”形成“畫派” ，也不像新疆、西藏等少數(shù)民族地區(qū)油畫那樣，帶有強(qiáng)烈的異域風(fēng)情和繪畫表現(xiàn)形式。但是

3、傳統(tǒng)的中國古代繪畫歷史與上世紀(jì)興起的“長安畫派”卻為“關(guān)中油畫”的表現(xiàn)奠定了深厚的繪畫傳統(tǒng)底蘊(yùn)和題材的表現(xiàn)空間。正是這些歷史遺產(chǎn)和獨(dú)特的人文與自然景觀吸引著眾多的畫家在這里創(chuàng)作出了新的、具有獨(dú)特風(fēng)貌的作品。 本文首先從地域特點(diǎn)上分析了關(guān)中地區(qū)的地情、地貌、氣候特點(diǎn)，將關(guān)中地區(qū)有別于其他地區(qū)經(jīng)過幾千年來長期存在的現(xiàn)實(shí)情況加以說明。再從關(guān)中地區(qū)的人文特點(diǎn)加以說明，幾千年的文化底蘊(yùn)多朝代的建都給關(guān)中地區(qū)帶來了怎樣的人文特點(diǎn)。本文首先分析了以關(guān)

4、中為題材進(jìn)行表現(xiàn)的油畫家們，因?yàn)樗麄儭皩鹘y(tǒng)的守望”導(dǎo)致出的與現(xiàn)代“格格不入”和對眼前風(fēng)情的執(zhí)著的關(guān)注所導(dǎo)致的與外界相對的隔離狀態(tài)。這些現(xiàn)象既有其優(yōu)勢的一面，同時又連帶出與時代發(fā)展相對滯后的負(fù)面結(jié)果。 其次，筆者從宏觀角度分析了“關(guān)中油畫”在全國油畫現(xiàn)狀中所凸顯出的面貌與狀態(tài)。關(guān)于這一問題從四個方面進(jìn)行論述：第一個部分先將關(guān)中油畫的發(fā)展歷史作了簡要的說明，分時期列舉出當(dāng)時的優(yōu)秀畫家及他們所取得的成就。早期“關(guān)中油畫”家在怎樣的政治歷史條

5、件下創(chuàng)作出了什么樣的優(yōu)秀作品，他們的藝術(shù)理念及對他們作品的簡要分析。當(dāng)下較有分量的“關(guān)中地區(qū)”油畫家和他們的優(yōu)秀作品以及藝術(shù)理念和創(chuàng)作手法上的特點(diǎn)。用自己現(xiàn)有的水平對當(dāng)代優(yōu)秀“關(guān)中油畫家”為“關(guān)中油畫”3 Thesis topic: the time changes in “middle oil painting“ art of development and prospect Special industry: fine arts N

6、ame: (Signature)_________ Teacher: (Signature)_________ Abstract “ The oil phenomenon“ is in my practice experience to a painting phenomenon. This paper will“ Guanzhong painting phenomenon“ as th

7、is thesis puts forward two reasons: one is in Guanzhong of Shaanxi has its unique historical and geographical features, such features to attract a large number of painters to the attention and performance; two is locate

8、d in Guanzhong area of Xi'an Academy of Fine Arts frequently by its geographical features, made many has a unique style of the painter. From painting perspective, Guanzhong area history in subject for painting provi

9、ded vast space of creation; from geographical feature aspect, including northern Shaanxi Guanzhong region expanse of Guanzhong Plain and gully and Rolling Loess Plateau of Northern Shaanxi and the painters in the vision

10、 provides unlimited reverie and skills performance unique feeling. On the idea of painting, performance of Guanzhong painting although nothing like“ Sichuan oil painting“ form“ painting“, also unlike Xinjiang, Tibet and

11、other ethnic minorities in oil painting, with a strong exotic atmosphere and painting. But the traditional Chinese painting history and the rise of the “Chang’an school“ but for“ Guanzhong painting“ performance has laid

12、 a solid foundation and the traditional painting of the performance of the theme of space. It is the historical heritage and unique humanities and the natural landscape to attract a large number of artists here to creat

13、e a new, unique style of the works. This paper from the geographical characteristics of Guanzhong area feeling, landforms, climate characteristics, the Guanzhong region is different from the other regions after thousand

14、s of years of long-standing reality illustrated. From the humanities characteristics described in Guanzhong area, thousands of years of cultural heritage of many dynasties of capital to the Guanzhong area how to bring t

15、he humanities characteristics. This paper firstly analyzes the Guanzhong as the theme of performance artist, because they“ to the traditional watch“ lead out and modern“ be misfits“ and on the immediate style persistent

16、 on the causes and the outside relative isolation. The phenomenon has its advantages side, at the same time and create and times development lags behind relatively negative results. Secondly, the author from macroscopic

17、al angle analysis.“ The painting“ in the national painting status by highlighting the features and status. On this problem from four aspects: the first part of the first in the history of the development of oil painting