中島哲也電影研宄

1、學(xué)校代碼：10270 分類號：J90 學(xué)號： 122200222上善砷汔夫爹碩 士 學(xué) 位 論 文中島哲也電影研究學(xué) 院 ：人 女 與 傳 播 學(xué) 院 ____專 業(yè) ：戲 劇 與 影 視 學(xué) _______研 究 方 向 ： 視 聽 i吾 言 與 影 視 制 作研 究 生 姓 名 ： _________ ^■■嘵. 楠__________指 導(dǎo) 教 師 ： ___________ 2L*________完 成 日 期 ：2 0

2、 1 5 年 4 月 _________Abstract Shanghai Normal University Master/Doctor of PhilosophyAbstractSince the end of last century, Japan's new film movement has emerged many outstanding film director, they convey the new idea

3、s of Japanese film to the world with their unique film language. A member of the research object in this paper is Nakajima Tetsu's new film movement in his works, but the director and other new film movement in the f

4、orm and content of different. So far, the director of the film are 7.This paper is divided into four chapters to analyze and research the Nakajima Tetsuya movie, and try to summarize some director Nakajima Tetsuya film r

5、eflects in the content and form of intent and cultural connotation. The first chapter is the introduction part, firstly introduces the related information of Japanese film international influence and Nakajima Tetsuya; se

6、condly, briefly introduced the research status of the Nakajima Tetsuya film in the domestic academic; finally, the author of Nakajima Tetsuya film and the significance of the research. The second chapter is on the basis

7、of Japan's new film movement in the direction, through the comparison and analysis of Nakajima Tetsuya pointed out that compared to other new film movement's atypical is the audio-visual language and dramatic con

8、flict advertising more intense movie script with. The third chapter system analysis in Nakajima Tetsuya's films. The narrative structure, mainly combined with the nonlinear narrative and narrative. The role of settin

9、g, the images of characters to express the relationship between the relationship between family members and gender. The theme of expression, through the typical character in the film of good and evil of human nature to d

10、ig in. In the construction of the spiritual world, Nakajima Tetsuya emphasized the “superego“ part, suppress the negative part of the individual “I“ in the “superego“, the implementation of the standards for the independ

11、ence of personality. Nakajima Tetsuya's painting style gorgeous and delicate, in stark contrast with the gloomy life often in his films, formed a unique style of Nakajima Tetsuya ““. In the fourth chapter, the work o

12、f Nakajima Tetsuya in the “author“ of the content to carry on the thorough analysis, mainly in the works of Nakajima Tetsuya, the recurring images of various forms of art unique understanding and reference, the lens dept

13、h of field use, for youth violence, works of the female image, advertising Picture 6 detail. On the one hand, Nakajima Tetsuya's film in the creation technique changes, should be analyzed from the perspective of deve

14、lopment, to make a judgment. On the other hand, mode of his movies, immobilized tradition can also be in-depth study, for those who provide support for his philosophy research.Key Words: Nakajima Tetsuya; new Japanese fi