南宋太學(xué)石經(jīng)與《毛詩圖》.pdf

1、IIIIIIIIIIIIIIIIIIIFlY3282174分類號(hào)：——～密級(jí)：UDC：編號(hào)：中國美術(shù)掌院碩士學(xué)位論文南宋太學(xué)石經(jīng)與《毛詩圖》TheSteleScripturesoftheNationalAcademyofSouthernSongandthelllust，’ationso／’theBookof’Ode1畢夏指導(dǎo)教師姓名(職務(wù)、職稱)一一基墼(熬撞)～一申請學(xué)位級(jí)別一一塑————專業(yè)名稱堇苤堂——～論文提交日期20174論文

2、答辯日期2017：5摘要南宋年間，馬和之曾受帝王之命繪制一系列以圖釋《毛詩》為題材的作品，畫史皆傳諸卷《毛詩圖》為高宗、孝宗書，馬和之補(bǔ)圖。高宗曾于南宋紹興初年刊刻南宋太學(xué)石經(jīng)，親筆御書其中經(jīng)文，昭示其文化地位上的權(quán)威，現(xiàn)存亦有《周易》《尚書》《毛詩》《春秋左傳》等七經(jīng)存世于杭州孔廟。本文意梳理馬和之及《毛詩圖》相關(guān)文獻(xiàn)記載，以太學(xué)石經(jīng)為參照，從高宗抄經(jīng)、避諱等方面入手研究《毛詩圖》的相關(guān)問題，并將其置于南宋宮廷詩情風(fēng)尚之中討論，以證《

3、毛詩圖》并非如太學(xué)石經(jīng)一般為政教宣揚(yáng)的產(chǎn)物，而代表著南宋王室中獨(dú)特的詩畫表達(dá)方式。關(guān)鍵詞：馬和之《毛詩圖》南宋太學(xué)石經(jīng)抄經(jīng)避諱詩畫AbstractDuringtheperiodofSouthernSongDynasty，MaHezhiportrayedaseriesofpaintingstoillustratethepoemsintheBookofOdesattherequestoftheemperorsIt1Ssaidinthehis

4、toryofanthatGaozongandXiaozongwrotethecalligraphyofeachpoem111theBookofOdesfirstandthenMaHezhiaddedtheillustrationpaintingstothemwithaseriesofworksentitledMaoshitu(TheIllustrationsofBookofOdes)Also，GaozonghadintheearlySh

5、aoxmgEraofSouthernSongDynastytheclassicalscripturesengravedintostelesLntheNNionalAcademyofSouthernSongDynasty，writingpersonallythescrlpturesoftheclassics，todisplayclearlyitsculturalstatusoftheauthority，withsuchsevenscrip

6、turesasBookofChanges，Shangshu，BookofOdes，SpringandAutumnsurvivinginHangzhouConfuciusTempleatpresentThisamcleisintendedtostudyrelatedIssues011Maoshltu(TheIllustrationsofBookofOdes)，bysortmgouttherelatedrecordsinthedocumen

7、tsand1iteratureaboutMaHezhiandMaoShiTu、wJththeSteleScripturesinHangzhouConfucmsTempleasthecontrastandreference，startingfromthemapermlscripting，tabooandotheraspectsofthestudyofMaoShlTu(TheIllustratmnsofBookofOdes)，anddlsc

8、ussthemxwtlatheSouthelnSongcouApoetmfashionasthebackground，inordertoproveMaoShiTu(ThelllustmtmnsofBookofOdes)nottheproductofpoliticalandrehgmuspropaganda，unhketheSteleScriptures，butrepresentingtheuniquepoetmexpressionoft