藏族史詩《格薩爾》音樂研究.pdf

1、西北民族大學(xué)論文題目f中文論文題目f外文培養(yǎng)單位學(xué)號(hào)研究生姓名學(xué)科、專業(yè)研究方向?qū)W位級(jí)別導(dǎo)師ng、職稱論文工作起止年月論又提交日期論文答辯日期匿塑塞鱟《堡基垂》童墨塹童——～墼皿墮業(yè)№出∞咝唑盟一—_工地塑業(yè)童鎏r_——～—』至豎屋籃盔生——一——021510040—史旦繼監(jiān)藍(lán)堇苤一———』塑墾塑童墨業(yè)繾喳童匪L一一～j型∑——～———_重臻登型塑——至墮盟塑～—』墮生釜蝤呈嬰墮生呈旦一——一—』鯉生=蔓墜衛(wèi)——一——～—』塑壁叢旦一—

2、—學(xué)位授予日期墊盟生!旦——一一樁址：甘肅省蘭州市西北新村1號(hào)StudyofMusicologyontheEpicofTibetanGesarAbstractGesarisaheroicepicwhichwascreatedbypeopleofTibetan，anditattractstheacademiaforitslonghistory，magnificentstructureanditsvalueoncultureandartGe

3、sarisalsoa耔，ubjectwiththeepicitselfbeingthestudyobjectAsanindependentandburgeoningsubjectitrelatestomanysubjects，suchasEthnologyFolkloreLinguistics，ReligionlogyEconomics，StrategiesPsychologyGeography，andMusicandsoonCompr

4、ehensivelyobservingthestudysituationofGesarmanysubjectsmorebroadlyintersectwitheachotherandthestudyisdeeperwiththeestablishment，theperfectionandthedevelopmentofGesar’ssystemLotsofachievementsaregainedinmanyaspects，butthe

5、studyonitsmusicispaidlittleattentionandlagsforalongtimeFromthestudyinthepast，theexpertsinandoutofourcountrystudiedthemusicofGcsarbuttheymerelystudiedthemusicnoumenononsomepartorsomeareafragmentarilySothisarticletriestopr

6、obeintoitsmusicthoroughlyusingtheinnerregulationofthisartandtheforiffsitembodiesThefirstchapterofthethesisintroducesthetalkingandsinginginGesarwiththeemerginganddevelopmentofthecombiningofthetwoartformsbeingastartTheseco

7、ndchapterprobesintothewayandfeatureofspreadingonGesar’smusic，andthedevelopmentandthechangesofthemusicspreadingsincetheinvolvingofmodemintennedium，byintroducingthepsalmodiesindifferentcategoriesThethirdchapteranalysesthet

8、ypesofGesar’slyricsandthepatternstheycouldchangeTheforthchapterillustratestheprinciplesofGesar’screatingandseveralmajoritytonepatternsareshowedhereInthefifthchapterthetonesof—Gesarareclassifiedbasedonthreeaspects，thatis，

9、thetone’sname，utilizationandthelocalstylesInthesixthchapterthefeatureofGesar’stonesisanalyzedfromtheaspectofthecharacteristicsofmelody，therhythmandtime，thetonepatternsandthemusicslractureandsoon，Thelastchapterdiscussesth