論《史萊克》系列中的戲仿——經(jīng)典童話的消費(fèi)與文化再生產(chǎn).pdf

1、Y1023G07學(xué)校代碼1Q塑!研究類型塞熊塹窺浙江師范大學(xué)碩士學(xué)位論文題目：造g塞墓星＆莖到主曲垡垡一二二絲盎童藍(lán)盟遺置生圭坐盤生L學(xué)科睪業(yè)：生國(guó)墨當(dāng)垡墨芏(!!熏圭生立魚)年級(jí)：2Q些塹學(xué)：——墊盟墊衛(wèi)L一研究生：籃鹽鹽指尋教師：旦睦選墊撞申圖分類號(hào)：——!王——答抖時(shí)問(wèn)：2006年一豎月墮日ABS’l’RACTIthasbeenagreatphenomenonteproduceclassicalfairytalesthroughp

2、arodyinthelate2鏟centuryalongwiththepaceoftheculturallyclassicconsumingtrendTakingtheseriesofcartoonsShrekproducedbyDreamWorksSKGasatypicalcase，thispapertriestoprobeintothedescinyoffhirytalesintheclassicconsumingtrendinap

3、plyingtheIntertcxtualityTheoryandtheCarnivalTheoryThemotivesformychoosingsuchatopicareillustratedintheIntroductionpart，andseveralconceptsconcernedclarifiedThefirstpartillustratesbymeansoftextanalysisthedifferencesofthecu

4、ltureproductionmodereflectedinthecartoonsreproducedfromfairytalesbytheDisneyandDreamWorksSKGTheconclusionofthispartisthattheDisneycartoonsarereproducedfromthefairytalesinthewayofpastiche，whiletheDreamWorksSKGinthewayofpa

5、rodyThesecondpartillustratesthefunaiomandsignificancesofparodyinthereproductionofclassicalfairytalesItfiguresoutthattheparodywayismoreproductivethanthepasticheoneinthepost—modernizedculturereproductionprocessMeanwhile，pa

6、rodyisalsoapowerfulweaponforthenewsocialforcestodeauthorizeculturalhegemonyandauthoritativesocialdiscoursesFurthermore，thespiritofuniversalcarnivalisembodiedinthedeauthorizationanddeconstmetionprocessmadebytheparodytextT

7、henlirdpartanalysestherolesparodyplaysindestructingandreconstructingtheutopianfairytaleworldParodiesoftheclassical筋rytaleswillnecessarilyoverthrowthetraditionalutopianworldimpliedinthosetales，andresettheirnewUtopiaHoweve

8、rParodyasameansofculturereproductioncanalsobeadoublebladeswordOverdrivenbycommercialbenefitsandtheconsumers’sensationdeskes，itwillbeeasilyreducedtoanonsensesignifierandabynproductofculturalnihilismKEYWORDS：Shrekparodycul