二十世紀(jì)上半葉中國藝術(shù)歌曲的發(fā)展與藝術(shù)特征之考察.pdf

1、杭州師范學(xué)院碩士學(xué)位論文二十世紀(jì)上半葉中國藝術(shù)歌曲的發(fā)展與藝術(shù)特征之考察姓名：金美玲申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：徐孟東王玉玲2002.5.1髓瞅刪秈髓黼I鼴孔僦467F21S7IC。S刪I嘲OF豫呱慨柵S隅豫耐腳of；髓毋吲嘲ABSIRACTTheArtsongofthefirsthalfofthe20‘“centuryinChinaistheproductofthemergingofthewestmusicandChine

2、semusic，withthereferenceofcomposetechniqueandsingingtechniqueAtthattime，thecomposeoftheArtsongwasanev01utionaryprocessinwhichChinesecomposersusedthewesterntechniquetheyhadlearnedintotheircompose，andwhichdevelopedfrompure

3、imitationtoexplorationandpracticeofdistinctivenationalfeatureThenthesingingoftheArtsongwasthemixtureoftheBelcontofromoutsideandnationallanguageTheChinesemusiciansandsingerswhohadstudiedabroadinearly20”centurytooktheBelco

4、ntobacktoChina，forthepurposeofmakingforeignmethodofvocalserveChinaManysingerssuchasYingShangnengandZhangquanalsomadegreatcontributioninthisaspectForfeelingthattheBelcontoiSnotbecomprehendedandacceptedbythepublicuptonow—_

5、———’becausethegreatmajorityofpeoplewhoarelearningtheBelcontoareinclinedtoexpressariaandtheArtsongandSOon，butnottheChinesesongs——theauthorofthisdissertationdevotesherselftostudyingtheChineseArtsongofthefirsthalfofthe20”ce

6、ntury，andhopesthatmorepeoplewillunderstandandsingthem，thustomaketheBelcontomorepopularandbetterexpressournationalmusiccultureThiSdissertationisdividedintotwopartsThefirstpartmainlydiscussesthebackground，ideologicalfounda