[雙語翻譯]藝術(shù)設(shè)計專業(yè)外文翻譯——形式與色彩——設(shè)計的兩個基本元素

1、字數(shù)：英文 字數(shù)：英文 3004 3004 單詞， 單詞，15932 15932 字符；中文 字符；中文 5516 5516 漢字 漢字出處： 出處：Ahmed Ahmed S S , Gurumoorthy Gurumoorthy B . Form Form and and Colour Colour—Two Two Basic Basic Elements Elements of of Design[J]. Design[J]. R

2、esearch Research into into Design Design for for Communities,2017,2:893-902 Communities,2017,2:893-902外文文獻 外文文獻 Form and Colour—Two Basic Elements of DesignAbstract There is no consensus among the designers and design e

3、ducators on the number of design elements. For well over 100 years of formal design education, design students are trained to use varying number of elements in their pursuit of designing products. In the design literatur

4、e, there are different sets of design elements mentioned for the purpose of designing products. This inconsistency has often led to confusion among design students and designers about what really are the elements. This p

5、aper is an attempt to bring some clarity to this state of confusion. This also explains why there are varying number of elements used by designers and how one can expand the basic elements of design, Form and Colour, int

6、o varying number of elements for meeting their purpose. Results of this study will help designers to make use of the popular method of designing with more clarity and customize it to suit one’s requirements.Keywords: Des

7、ign elements, Design principles, Form, Colour1.IntroductionThere is no consensus among the designers and design educators on the number of design elements. According to Lauer, who wrote a book on Design Basics, “no two d

8、esigners will ever agree on the same list of design elements and principles or on which are which”. There has not been any work on finding why there are many design 2.OverviewWorks of 12 authors who have majorly contribu

9、ted to the field of design education since the beginning of 20th century have been considered. The design elements proposed by them have been analyzed. In this paper, attempts have been made to find why there has been no

10、 consensus and find out if there are any universal design elements possible. These have done by defining the design elements, criteria-check on the proposed elements, and categorizing the accepted design elements based o

11、n their function/nature/characteristics. Form and Colour are the basic design elements that finally emerge out of the analysis. The results are discussed and the recommendations for application to different branches of d

12、esign are suggested.3.Assumptions and MethodsWhen people engage with products, it is typically a multi-sensory experience. In addition to product’s visual form, other product qualities like tactile, auditory, sometimes o

13、lfactory and gustatory are also used in a product experience. However product’s visual form is considered particularly important for the following reasons:(a)Vision is the dominant sense for majority of the people.(b)Vis

14、ion is a sense that is effective over distance and because of this products are typically seen before they are touched.(c)Consumers approach a product to explore its non-visual qualities because often the product’s visua

15、l form initially attracted them.Perhaps because of these reasons, the majority of the literature focusses on visual aspects in comparison to other senses. Visual aesthetics and visual perceptions are commonly used terms