論模式節(jié)奏、有量節(jié)奏及等節(jié)奏——中世紀經(jīng)文歌節(jié)奏形態(tài)研究.pdf

1、武漢音樂學(xué)院碩士學(xué)位論文論模式節(jié)奏、有量節(jié)奏及等節(jié)奏——中世紀經(jīng)文歌節(jié)奏形態(tài)研究姓名：陳明申請學(xué)位級別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：劉永平200506012003級攻讀碩士學(xué)位研究生學(xué)位論文‘論模式節(jié)奏、有量節(jié)奏及等節(jié)奏’——中世紀經(jīng)文歌節(jié)奏形態(tài)研究AbstractThisessaytakesthepolyphonyliteraturestyleemergedin12centuryinEurope—religioustextssongas

2、aclue，concentratesonthemainpointstocomb“Modalrhythm”fromthearticle“Mensuralrhythm”and“Isorhythmic”threeimportantrhythmsphenomena，doesthecrosswisecontrast—liketothreestructurescharacteristicsresearch，abstractsitsgeneralch

3、aracter，citesthessasasproofofthediscussionofthewesternmusicrhythmevolutionrule“Modalrhythm”。Mensuralrhythm”and“IsorhythmicH。thethreeconceptsimplications，notonlyisonekindofnarrowsenseinviewofsomekind’therhythmstructure”in

4、dicating，butalsoliesinthemtepresentsomekindofspecificmusicshapeseparatelyinsomespecifictimeButthisessaydoesnotomnidirectionallydiscusseachkindofshapecharacteristicofthereligioustextssong(forexamplemelodycharacteristicand

5、soundcharacteristicandSOon)，onlystripsitsrhythmcharacteristictoconducttheresearchInthetimespan，theessayalsomainlydefinesinthewesternmusichistorythelaterperiodof4themiddleages。Thefulltextconsistsoftheintroduction，noumenon

6、，andtheconclusionthreepartsThenoumenonpartnarratestherhythmmainstructureruleof“Modalrhythm”，“Mensuralrhythm”and“Isorhythmic”。moreovereachchapterbrieflysummarizesthemainbodycontentThefinalconclusiondiscussesthepartialfour