油畫創(chuàng)作中單色化語言的研究與實踐

1、 編 號： 碩士學位論文 碩士學位論文 題 目：油畫創(chuàng)作中單色化語言的研究與實踐 培 養(yǎng) 單 位： 美術與設計學院 專 業(yè) 名 稱： 美術 指 導 教 師： 唐書民 研 究 生： 劉新明 完 成 時 間： 2013 年 5 月 17 日 沈陽師范大學研究生處制 類 別 全日制研究生 √ 教育碩士 同等學力 ii Oil painting monochromatization in lingui

2、stic research and practice Abstract Use of color in the oil painting creation is an important language form artists convey the essence of art, colour it is not only for pure, simple inheritance and combining with the nat

3、ure, also is not only a colorful, colorful objective things modelling factor, it is the artist in oil painting creation and inspiration on the canvas of the blend of mind and resonance. In modern YouHuaJie, some painter

4、because of their factors alone by the monochrome to the language of this seemingly simple and single expression form. Then combining with the characteristics of their own to create their own style. And the expression of

5、 monochromatic slowly YouHuaJie monopoly in the position, although is the “alternative“, but also did not form a recognized or noticeable genre and style, but this monochromatization language used in the oil painting cre

6、ation isn't crazy, also cannot be ignored. Painter in painting creation is the thinking and innovation, the pursuit and exploration in the future for the sake of art development and out of the important step. Monochr

7、omatization they want to take advantage of this unique art language to mining innovation ability, and I also noticed the monochrome language from the creation of powerful charm. This paper attempts to, from the perspecti

8、ve of the language is the expression of contemporary oil painters, then from some painter is how to use monochrome language tone for this phenomenon as the breakthrough point, to be combined with the experience and enlig

9、htenment of according to their own creative way to elaborate painting creation monochromatization in language study and practice of this paper. First the concept and definition of monochrome and monochromatic is explaine

10、d, and then according to the painter creation era background, reason and monochrome language of Chinese traditional cultural factors in self to bring contemporary oil painters in the art creation using plain language. Us

11、ing monochromatic language creative thinking and monochromatization symbol and metaphor for contemporary painter monochromatization sorting and analysis of the language phenomenon. Then analysis the cause of the monochro

12、me language mainly visual fatigue and visual impact, as well as traditional ink element with black and white tonal effect. Finally, according to the combination of I in the creation of monochrome language practice and co