廬劇傳統(tǒng)唱腔和新編唱腔的對(duì)比研究

1、 目 錄摘 要..........................................................................................................IAbstract................................................................................................

2、III緒 論..........................................................................................................11.課題緣起及研究目的.......................................................................12.研究現(xiàn)狀綜述................

3、...................................................................13.研究方法.......................................................................................... 3第 1 章 廬劇歷史沿革..........................................

4、.....................................51.1 廬劇起源...................................................................................... 51.2 建國后廬劇的發(fā)展.......................................................................61.

5、1.1 廬劇定名及國營廬劇團(tuán)體的興起......................................71.1.2 廬劇表演事業(yè)的發(fā)展......................................................... 7第 2 章 廬劇傳統(tǒng)唱腔之形態(tài)研究........................................................... 92.1 廬劇傳統(tǒng)唱腔主

6、調(diào)曲牌概述....................................................... 92.2 廬劇傳統(tǒng)唱腔主調(diào)曲牌介紹..................................................... 122.2.1 二涼..............................................................................

7、......122.2.2 寒腔....................................................................................142.2.3 三七....................................................................................162.2.4 小生調(diào)...............

8、.................................................................172.2.5 端公調(diào)................................................................................192.2.6 老生調(diào).....................................................

9、...........................202.2.7 衰調(diào)....................................................................................212.2.8 丑調(diào)....................................................................................212.2

10、.9 老旦調(diào)................................................................................222.3 花腔音樂簡介.............................................................................232.4 小結(jié).....................................

11、....................................................... 25第 3 章 新編唱腔形態(tài)研究.....................................................................273.1 新時(shí)代對(duì)廬劇的要求................................................................

12、. 273.2 新編唱腔的音樂形態(tài)................................................................. 283.3 傳統(tǒng)唱腔與新編唱腔的對(duì)比..................................................... 333.3.1 核心腔型的變化..................................................