東晉、南朝墓室磚畫(huà)文化因素之考察

1、南京師范大學(xué)碩士學(xué)位論文東晉、南朝墓室磚畫(huà)文化因素之考察姓名：龐婷婷申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：歷史學(xué)；考古學(xué)及博物館學(xué)指導(dǎo)教師：周裕興2009-04-29Abstract IIAbstract Abstract The Tomb-brick drawing in Eastern Jin and Southern Dynasties is an important data of researching the Six Dynasties

2、. On the one hand, it is part of the tome-culture of the Six Dynasties. On the other hand, it is an important branch of the Chinese Art Archaeology. The first part of this essay divides the tombs which have publicized t

3、he tomb-brick drawing into three periods, including Eastern Jin, Dynasty Song and Qi, Dynasty Liang and Chen. Through the comparison of every tomb and the probe of the simulation of drawings, it sums up the features of e

4、very period. The second part begins with the background of the society in Six Dynasties, then analyze the cultural meaning of some key drawing such as the design of the seven worthies retired to the bamboo grove. It rai

5、se a point that religions and social reality both have influence on the tomb-brick drawing on the same time, this influence is the results from the confusion of society culture factors and the open of mind. The third pa

6、rt sums up four cultural features of the tomb-brick drawing, tries to reread the cultural relics from a distinct view, taking full consideration of the development of the society and civilization, making the active bound