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1、標(biāo)題:TeachingOldBrsNewTricks:RetroBringtheRevivalofBrMeaning原文:Retrobrsarerelaunchedhisticalbrswithupdatedfeatures.Theauthsconducta“nographic“analysisoftwoprominentretrobrstheVolkswagenNewBeetleStarWars:EpisodeI—ThePhantom
2、MenacethatrevealstheimptanceofAllegy(brsty).Aura(bressence)Arcadia(idealizedcommunity)Antinomy(brparadox).RetrobrmeaningsarepredicatedonaUtopiancommunalelementanenliveningparadoxicalessence.Retrobrmanagementinvolvesanune
3、asycocreativeoccasionallyclamousalliancebetweenproducersconsumers.Americahasnonow....Ourcultureiscomposedofsequelsrerunsremakesrevivalsreissuesrereleasesrecreationsreenactmentsadaptationsanniversariesmemabiliaoldiesradio
4、nostalgiarecdcollections.—GegeCarlinBrainpings1998Brextensiontheuseofanexistingbrnametointroduceanewproductservice(Keller19931998)isanimptantmarketingtacticthathasattractedconsiderableacademicinterest(e.g.DesaiKeller2(X)
5、2JohnLokenJoiner1998).Howeveranotherfmofbrextensionstrategyisgainingprominencerequiresurgentresearchattention.Manylongabonedbrshaverecentlybeenrevivedsuccessfullyrelaunched(Franklin2002Mitchell1999Wansink1997)somuchsotha
6、tmarketersappearinthestofa“retrorevolution“inwhichrevivalsofoldbrstheirImagesareapowerfulmanagementoption(Brown2001).Theriseofretrobrsplacesmarketinginaninterestingconceptualquary.Ontheonehmarketersarecontinuallyreminded
7、oftheneedfproductdifferentiationthattodaysmarketingenvironmentdemsstrongbridentitiesdecriesimitation(Aaker1996).Ontheotherhcontemparymarketsaresuffusedwithupdatedimitationssuchasretrobrsmanyofwhichareprovingenmouslypopul
8、ar(Franklin2(X)2NaughtonVlasic1998Wansink1997).BrRevivalRetromarketingfitsdurabilityeconomyuserfriendlinessidiosyncraticdesign.Atthetimeitwasconsideredanexemplaryvehicleofthepeople.Everyonefromcommuneboundhippiesdleclass
9、coupleswithchildrentoeccentricmultimillionairesdroveBeetles.TheBeetleevenbegotaseriesofliveactionDisneymoviesstarringthe“LoveBug“as“Herbie“thesentientvehiclewithaheartofgold.Tonyarguesfromtheperspectiveofamoderaterationa
10、listlayingoutalogicalargumenttoeasethetensionsbetweentwowarringfactions.Discountingtheintrinsicvalueofthepastheinsiststhattheoldbrmustbeadjustedfanewtimeplacesetoftargetconsumers.Akintorinheshiftstheargumentaboutbressenc
11、etosuperficialdesignelementsadvertisingladensymbolicassociations.TheresultfTonyisanuptodatevehiclethatstillsharestheenchantingpersonalityoftheoldBeetlebr.EnchantmentindeedistheoperativewdasmanyStarWarsfanstestify.StarWar
12、sTheiginal1977StarWarsmovieattemptedtodisientitsconsumerstempallybyofferingafarawayfuturewldofspacecraftintelligentrobotssubsumedwithinafairytalesetinthedistantpast.StarWars:EpisodeI—ThePhantomMenaceattemptedtotopthistem
13、paldislocation.Settingthefourthmoviethreeepisodesbefethefirstwasastrokeofmarketinggeniusthatcreatedtheneologismprequel.Thisprequeldemonstratesretrobringintherealmofconnectedproductsservicesthatacterizetodays“entertainmen
14、teconomy“(Wolf1999).Asaretrobr.ThePhantomMenacestampsanestablishedbrname.StarWarsonanewmoviethatcouplescuttingedgespecialeffectswithacastofcontemparyacts.AswiththenewBeetleitimaginativelymeldsafamiliarbrnamewithanallnewu
15、ptodateproduct.Billsdiatribeoffersopposingpolesoftheprofanemarketthesacredmyth(seeBelkWallendfSherry1989).ZackspostingisresentfulofthemythmoneymakingpowermanifestedinGegeLucasasaperson.Bothmessagepostersdemonstratethatth
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