“零度”與詩意——羅伯—格里耶小說作品研究.pdf

1、密級(jí)：———壘—玨一南京師鬼犬掌碩士學(xué)位論文固“零度”與詩意——羅伯一格里耶小說作品研究作者：院系：指導(dǎo)教師：學(xué)科專業(yè)：齊燒情文學(xué)院許金林文藝學(xué)Abstract”objective”isnotonlythemainnarrativestrategyofRobertGeliye’Sfiction，butalsoanewdevelopmentFirst，gettingridofthetraditionalSUbjectiveapproach

2、，hesetoffasubversionofthetraditionalconceptof“peoplecenterednovelsrevolution”andmade”objectdoctrine”Heputthestrictscienceandprecisionintealismliterarywriting，theworkstylebecamecalm，objectiveandsoulSecondlythroughaserieso

3、ffun，thenarrativeoftheappealisgoneThetwentiethcenturywasanunstable，floating，uncertaincenturywhichmadethenovelistnolongertowritetheenrich，understandingandsimplenarrative；Itisrealistic”lack”thatdecidedbythemuseumshouldhave

4、aGeliye“l(fā)ack”artistictexttoreconstructa”missingitem”worldUsingtheinstantnature，paradox，broken，openandtheflowof”missingitems”tothetraditionalstyleofbrea|dngthecontinuityoftime，theCouncilofcausation，theclosesystemwithoutmi

5、ssing，thestructureoftheclosureandecologicallystatic”integrity”O(jiān)nceagain，RobertGeliyema“ngfilmartseffectscreateda”moreentities，morevisualworld”RobertGeliyeseekingsuch”objective”ismoresubjectivebiasMoreoftheunderlyingmeani

6、ngof”legalization”and”Unlegalization”psychologicalawarenessLiteratureisnotlimitedtoprovidemanypracticalrulestoexplorethetruth；itmusthaveitsownstrategyfortheuseofraceruleslegalized”Zerowriting”istosubvertthetraditionallit

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9、ttherepresentativesofwritersandwatchattitude，whichisnotwarmparticipation，criticism，butinacalmanddenialdispelledIntraditionalformsthebasisGeliyealsothrough”images”and”reader’Sparticipation”toexpressthepoetryofliteratureth