聲音與角色的完美結(jié)合——對(duì)歌劇《參孫與達(dá)麗拉》中達(dá)麗拉和她的三首詠嘆調(diào)的分析與研究.pdf

1、天津音樂(lè)學(xué)院碩士學(xué)位論文聲音與角色的完美結(jié)合對(duì)歌劇《參孫與達(dá)麗拉》中達(dá)麗拉和她的三首詠嘆調(diào)的分析與研究姓名：董小攀申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：藝術(shù)學(xué)音樂(lè)學(xué)指導(dǎo)教師：李壽曾20101210AbstractSaintSaeansFrenchcomposerwhoinheritedthetraditionalofFrenchfolkmusicasthepremiseabsbedvariouselementsofBachHel.ViennaClas

2、sicalMusicLiszt’stitlesymphonicmusicetc.Hehadbeenwkedinmusicupto60yearswhosewksofvariousgenresevenasurprisingnumber.Hismusicisflexibleresilientelegantfmtexturevarietyvitalitytheacteristicsofrichcustomsofthewldstate.Saint

3、Saeanscreated13operasintotalinhiswholelifemostofwhichhavebeenexcludedoutofthegateattheParisOperafalongtime.Thewkreallymakeshisoperasinthebuddingoperasis“SamsonDaliLa”whichisholyonlyoneclassicoperahasbeenheddown.“SpringCa

4、metoEarth”“LovePleaseHelpMetoOvercometheWeak”“IAmBrimmingwithJoy”arethethreeariaslyricsoftheheroineDaliLa.Thosewksaresmoothmelodiesfullofromanticcolingethnicacteristics.Threeariasarewithuniquemelodylinesabroaddiapasonric

5、hconcertroleswhichshowtheimageofmezzosopranototheaudiencebecomearepertoireofaconcertofamezzosopranosinger.Therearethreesectionsinthisarticlecombiningthebackgroundcontentoftheentireoperatoanalyzetheheroine’slovehaterelati

6、onshipfullofcontradictioncolroleherthreearias.Inadditionaldependsontheacteristicsofallofmezzosoprano’stonesoundqualityitanalyzehowtoperfectlydeductthisclassicaloperatheneedsofthedetailedproblemsintheprocessoftheperfmance