中國(guó)電影中父親形象的文化心理分析——以20世紀(jì)80年代后華語(yǔ)電影為例.pdf

1、中南民族大學(xué)碩士學(xué)位論文中國(guó)電影中父親形象的文化心理分析——以20世紀(jì)80年代后華語(yǔ)電影為例姓名：何赟申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：文藝學(xué)指導(dǎo)教師：高衛(wèi)華20090501中國(guó)電影中父親形象的文化心理分析IIAbstractFatherisanimptantfamilyroleonethics.Theimagehasasolidrealityhisticalculturalrootsfromanethicaldertoaccountsocioe

2、conomicpoliticallifesohasadominantpositionauthity.InChinesefilmsfatherhasbeendisplayunprecedentedlymultidirectionally.Thisarticlemadeinterpretationofdetailedanalysisontheimageofthefatherinthe80safterthe20thcenturystudyth

3、euniqueimageoftheChinesemeaningoffather.Inthispapertherearemainlyfourmajparts:ThefirstpartistheintroductionwhichmadeageneraloverviewofthesourceoftopicsresearchStatusresearchobjectivesthecreativitypointsthesecondpartrecal

4、lstheconversionoftheChinesefatherimageintheChineselanguagefilmssincethe20century80’s.UndertheinfiltrationofChineseConfucianculture“father”hasbecomethespokesmanftheChinesetraditionalculturehasapositionofsupremacyintraditi

5、onalChinesefamily.Howeverwhenthetraditionalpatriarchalchangeintofeudalpatriarchalgraduallythefifthgenerationoffilmmakerslaunchedafierceattacktothefatheron“altar”find“idealfather”bythewayoffablesintheirowneyes.Afterfather

6、’s“divine”returnto“HumanNature”thesixthgenerationofdirectsinsistoncriticizingtraditionalPatriarchalbymodernviewbuttheattitudeoftoleranceunderstingindealingwithparentsreturntothetraditionalpatriarchal.HongKongTaiwan’sfilm

7、alsohavetheirownacteristicstointerpretthestatusofamodernfatherdevelopstheirownthinkingThethirdpartdiscussestheconflictintegrationbetweenfathersoninthefilm.“Father”sonexistintherelativegenerationstheconflictbetweenfathers

8、onnotonlyreflectsthevaluesintergenerationalconflictsbutalsoreflectstheSubgenerationwhichsubvertsthetraditionalconceptof“sonofthefatherfthekeylink”.AfterSubgenerationoftreasontheconflictbetweenfathersontherewillbemutualco

9、mpromisebetweeneachothereventuallyreturntohisfamilyintegrationreflectingthereturnofthemoderntotraditional.Afterfatheriskilledbecomeabsenctthedirectssearchfafatheronceagain.PartIVanalysisthesechangesftheimageoffatherinChi

10、neselanguagefilmssincethe20century80’sfromsocioculturalpsychology.Thedifferenttraditionalculturalsmodernpostmoderncontinuedconfrontationintegrationtheimageoffatherwillbemeplumpbefullofmeaningintheenvironmentfethicalfissi