工業(yè)設(shè)計(jì)外文資料翻譯--綠色設(shè)計(jì)與情感回歸

1、<p>　　畢業(yè)設(shè)計(jì)(論文)外文資料翻譯</p><p>　　系 別： 藝術(shù)與設(shè)計(jì)系 </p><p>　　專 業(yè)： 工業(yè)設(shè)計(jì) </p><p>　　班 級(jí)： B090801 <

2、;/p><p>　　姓 名： 曹富淞 </p><p>　　學(xué) 號(hào)： B09080101 </p><p>　　外文出處： DONALDA.NORMAN </p><p>　　附 件： 1.

3、‘Green design’ and emotional </p><p>　　return </p><p>　　2. 綠色設(shè)計(jì)與情感回歸 </p><p><b>　　2013年03月</b></p><p><b>　　附件:1.</b></p><p&

4、gt;　　‘Green design’ and emotional return </p><p>　　‘Green design' is a late 20th century, there at the moment 80 international design trends. As early as the late 20th century, 60 well-known industrial

5、designer and educator-dimensional multi-Peipanike on the publication aroused strong repercussions in the design world works 'is designed for real-life', presented in the book and the public at the time different

6、points of view, he considered that the things around us are created by designers, designers in the Marketing and customer satisfaction is</p><p>　　Into the 21st century, because of the world's government

7、s on environmental issues seriously. The establishment of laws and regulations relating to environmental protection, competition among enterprises, making with the idealism of 'green design' step by step with the

8、 trend of practical significance. Based on the attention and understanding of environmental issues, people from the 20th century, 60's too radical a 'green movement', developed to present a relatively mature

9、'green consumption' beha</p><p>　　The main planning as a product designer and creator of the product at all stages of the environmental issues will have a direct and indirect effects. In particular,o

10、ften by their decision to use the product key materials, products, how to make? Adopt in a special surface treatment method to achieve the final surface effect? Products How to use? How to deal with the waste after use?

11、Whether to use recyclable or re - use of materials? design players a decisive role in many issues. </p><p>　　More importantly, designers connecting link between the product and people. They can lead and cha

12、nge the way people use products, while responsible for these products and services.Designed to influence people's lifestyles and socio-cultural changes. It has gradually grown accustomed through the design to reflect

13、 their social status and personal taste. Design is 'consumerism' of the promoter of products from style 'planned obsolescence', speed up the pace of product replacement. Design is also in</p><p

14、>　　The commercial value of Industrial Design increasingly recognized and valued by a number of manufacturers, designers in a number of the company's R &amp; D department has been entrusted with the task, all t

15、his allows designers to have the opportunity to demonstrate their ability to deal with environmental issues, as well as environmental issues, ethical a sense of responsibility.'Green design' from the scope of non

16、-mainstream areas to expand into the mainstream. With the 'Green Design' approach</p><p>　　Eco-design, also known as life cycle design, namely the use of ecological thinking, in the product life cyc

17、le, to give priority products environmental attributes, in addition to considering the product performance, quality and cost, but also take into account the product recovery and processing. The product must also take int

18、o account the economic, functional and aesthetic factors.Product eco-design its basic theoretical foundation of industrial ecology in the theory of industrial metabolism and</p><p>　　Sustainable design is a

19、broader design approach than the earlier ones. Involved in more aspects, such as the nation's future development phase and the sharing of resources in the development of future generations, how to ensure the function

20、ality of the product at the same time, reducing the burden on the entire planet. A typical theory is to improve the efficiency of products, while promoting the services associated with development of the system: To study

21、 the products of the necessary functions</p><p>　　In addition, thereis other product design optimization method. Such as environmental materials (recyclable and recycled materials) use. Studies have shown th

22、at, in order to change the impact on the environment of the wasteful consumption of the status quo, to the earth's resources for sustainable development in the consumption level of development, our long-term goal sho

23、uld be to strive to build stronger long-term with the product links. For these originally, in the development of environmentall</p><p>　　Designer is also the founder of design style and taste, the product of

24、 the visual image of environmental protection will also have an indirect impact.Is mainly reflected in the product lifetime of two aspects of the relative choice of materials. Because people in the past way of life cause

25、d by a large number of product varieties obsolete, and the frequent replacement of the speed of products for environmental protection had a bad effect, if they can extend the product life time, we can reduce th</p>

26、<p>　　Relative prosperity in the material economy of today, often likes and dislikes of consumers for some products directly to determine the 'life'. </p><p>　　In some point of view, 'gre

27、en design' cannot be seen as a style of performance.The success of 'green design' products from the designer a high degree of awareness of environmental issues, and in the design and development process, desi

28、gners and relevant organizations to use the experience, knowledge and creativity of crystallization. At present there are several general design themes and trends: </p><p>　　The use of natural materials in

29、order to 'raw' form of furniture products, building materials and fabrics to be reflected and utilized. </p><p>　　The nostalgia of the simple style, well into the 'high tech' factor, allowin

30、g users to find product is amiable, warm. </p><p>　　Utility and energy conservation. </p><p>　　Emphasized the use of the material economy, get rid of useless features and purely decorative sty

31、le, and create vivid shape and return to the classic simplicity. </p><p>　　The multi-purpose product design, changes can increase the fun by design, to avoid boredom and replacement needs; it can upgrade, u

32、pdate, by as little as possible to use other materials to extend the life; the use of 'add-on smart' or dismantling components. </p><p>　　The products and services, the non-materialistic. </p>

33、;<p>　　The combination of design and cycle schemes. </p><p>　　We do not simply believe in a clear recyclable materials, the product will certainly be a 'green product', because the product re

34、cyclability of products may become obsolete to accelerate the speed of an excuse, people have recognized the appearance of recyclable materials, the degree may also be would have an impact on product sales.When the '

35、Green Design' gradual integration into the mainstream product design, designers face is not only a small number of 'green fanatics', but ordinary consumers</p><p>　　People-oriented design ideas f

36、rom the European Renaissance of the humanitarian ideology. To promote care of people pay attention to people, people-centered world view. In terms of modern product design, human-centered thinking that is the core of the

37、 design process, the coordination of product - social - environment relationships between these three. Of human knowledge and transform the nature, purpose is simply to create a good human being living conditions and env

38、ironment for development. Howe</p><p>　　products - emotional harmony. Materials, environmental protection, technology is simple, beautiful shape, making excellent products is the people really psychologicall

39、y acceptable. Second, the values of stress also contributed to people for emotional awareness. In the past quite a long period of time, the design process is seen as an artistic process, the artist's aesthetic choic

40、es to replace the more often the user can only be passively accepted. Such an outcome, making the distance between th</p><p>　　In addition, the design of the regional culture and promote the protection of pe

41、ople also reflects the concern for the feelings. Design is no longer the pursuit of volume, standardization brought about by a single aesthetic, but to diversify into account. The emotional needs of the design was gradua

42、lly realized that it was multi-directional. Regional differences in the deposition as well as the name of ethnic culture, customs and practices which are in the design to be discussed and explored. In</p><p>

43、;　　If the design theory for the design of the improvement means that people re-think, then the birth of a new design type is the most realistic and practical needs and the most direct response is all about. More and more

44、 on the emotional issues were referred to the process of designing for, so people were the design, interface design, interaction design, accessible design, and so a series of related to the design of communication and em

45、otional way of thinking has been more and more to attention and</p><p>　　Conclusion Whether the product design and development from the vertical profile view, or from the horizontal status of a modern produ

46、ct design, look at the relationship between the various disciplines, Emotional Design has undoubtedly become a contemporary design, one of the most popular topics. People gradually realize that product design process, de

47、signers of the product of the soul to give the process is essential. Here the soul refers to the expressed product, and can communicate with the u</p><p>　　The requirements of sustainable development of soci

48、ety indicates that 'green design' remains will be the 21st century, one of the hot industrial design. In order to reduce environmental problems, designers should be the product environmental performance improveme

49、nt, environmental issues and want to have a good understanding of their impact; this was in science and Technology than ever before to learn more about, and needs to creativity, new thinking and imaginative. 'Green d

50、esign' to the Industr</p><p><b>　　2.</b></p><p><b>　　譯文:</b></p><p>　　綠色設(shè)計(jì)與情感回歸 </p><p>　　“綠色設(shè)計(jì)”是20世紀(jì)80年代末出現(xiàn)的一股國(guó)際設(shè)計(jì)潮流。早在20世紀(jì)60年代末著名的工業(yè)設(shè)計(jì)師及

51、教育家維可多·佩帕尼克就出版了在設(shè)計(jì)界引起強(qiáng)烈反響的著作《為現(xiàn)實(shí)生活而設(shè)計(jì)》在書(shū)中提出了在當(dāng)時(shí)與眾不同的觀點(diǎn)，他認(rèn)為我們周邊的事物都是由設(shè)計(jì)師創(chuàng)造的，設(shè)計(jì)師在市場(chǎng)銷(xiāo)售和用戶滿意度方面不單單只是起到“美化”的作用，同時(shí)應(yīng)強(qiáng)調(diào)設(shè)計(jì)師的社會(huì)及道德的倫理價(jià)值。這本書(shū)的深遠(yuǎn)影響一直延續(xù)到今天。 </p><p>　　進(jìn)入21世紀(jì)，因世界各國(guó)政府對(duì)環(huán)境問(wèn)題的重視，有關(guān)環(huán)境保護(hù)法規(guī)的建立，企業(yè)間的競(jìng)爭(zhēng)，使得帶有理

52、想主義色彩的“綠色設(shè)計(jì)”潮流逐步有了現(xiàn)實(shí)意義。基于對(duì)環(huán)境問(wèn)題的重視和了解，人們已從20世紀(jì)60年代的過(guò)于激進(jìn)的“綠色運(yùn)動(dòng)”,發(fā)展到現(xiàn)今相對(duì)成熟的“綠色消費(fèi)”行為，這為“綠色設(shè)計(jì)”帶來(lái)了新的契機(jī)。 </p><p>　　設(shè)計(jì)師作為產(chǎn)品的主要策劃者和創(chuàng)造者，對(duì)產(chǎn)品的各個(gè)階段所產(chǎn)生的環(huán)境問(wèn)題都會(huì)有直接和間接的影響。尤其是往往由他們決定產(chǎn)品所選用的主要材料，產(chǎn)品如何制造？采用何種特殊的表面處理方式以達(dá)到最終的表面效果？

53、產(chǎn)品如何使用？用后的廢棄物如何處理？是否使用可回收或再利用的材料？設(shè)計(jì)師對(duì)眾多問(wèn)題起決定性的作用。 </p><p>　　更重要的是，設(shè)計(jì)師是連接產(chǎn)品與人之間的紐帶。他們能引導(dǎo)并改變?nèi)藗兪褂卯a(chǎn)品的方式，同時(shí)對(duì)這些產(chǎn)品和服務(wù)負(fù)有責(zé)任。設(shè)計(jì)影響著人們的生活方式和社會(huì)文化的變更。人們已逐漸習(xí)慣通過(guò)設(shè)計(jì)來(lái)體現(xiàn)自己的社會(huì)地位和個(gè)人品味。設(shè)計(jì)是“消費(fèi)主義”的推動(dòng)者促使產(chǎn)品式樣的“有計(jì)劃的廢止”加快產(chǎn)品的更換速度。設(shè)計(jì)還參與

54、廣告活動(dòng)，從而進(jìn)一步刺激消費(fèi)。設(shè)計(jì)能夠使社會(huì)文化發(fā)生變革，而它們當(dāng)中的大部分代表了某些特定的生活方式，所以在理論上“綠色生活方式”也可能被人們稱道和效仿這種生活方式并非必須異常節(jié)儉,而是倡導(dǎo)一種盡可能低調(diào)的樸素生活方式。 </p><p>　　工業(yè)設(shè)計(jì)的商業(yè)價(jià)值日益受到眾多廠家的認(rèn)同和重視，設(shè)計(jì)師在不少公司的研發(fā)部門(mén)被委以重任，這一切使得設(shè)計(jì)師有機(jī)會(huì)展示他們對(duì)環(huán)保問(wèn)題處理的能力，以及對(duì)環(huán)境問(wèn)題的道

55、德責(zé)任感?！熬G色設(shè)計(jì)”的范圍也已從非主流領(lǐng)域向主流領(lǐng)域擴(kuò)展。 </p><p>　　與“綠色設(shè)計(jì)”接近和相關(guān)的名稱不少，本文中沿用人們常見(jiàn)的概念，統(tǒng)稱從環(huán)境角度考慮設(shè)計(jì)的設(shè)計(jì)方法為“綠色設(shè)計(jì)”。 “綠色設(shè)計(jì)”主要關(guān)注對(duì)自然的影響和解決某些單獨(dú)的問(wèn)題，如資源和能量的利用率，通過(guò)回收減少?gòu)U棄物等。在一些發(fā)達(dá)國(guó)家，廢棄的金屬和塑料等大多已可以分類(lèi)回收，或?yàn)橹匦吕枚M(jìn)行了分揀。為加強(qiáng)家庭垃圾分揀而“應(yīng)運(yùn)而生“的廢棄物

56、處理方面的產(chǎn)品設(shè)計(jì)，成為當(dāng)代工業(yè)設(shè)計(jì)的熱點(diǎn)之一。生態(tài)設(shè)計(jì)也稱之為生命周期設(shè)計(jì)，即利用生態(tài)學(xué)的思想，在產(chǎn)品生命周期內(nèi)優(yōu)先考慮產(chǎn)品的環(huán)境屬性，除了考慮產(chǎn)品的性能、質(zhì)量和成本外，還要考慮產(chǎn)品的回收和處理。同時(shí)也要考慮到產(chǎn)品的經(jīng)濟(jì)性、功能性和審美等因素。產(chǎn)品生態(tài)設(shè)計(jì)其基本理論基礎(chǔ)是產(chǎn)業(yè)生態(tài)學(xué)中的工業(yè)代謝理論與生命周期評(píng)價(jià)。 </p><p>　　可持續(xù)性的設(shè)計(jì)是一個(gè)比前者范圍更廣的設(shè)計(jì)方法。涉及更多的方面，諸如民族未來(lái)

57、的發(fā)展相與之分享資源的后代的發(fā)展，如何在保證產(chǎn)品的功能的同時(shí)，減輕整個(gè)星球的負(fù)擔(dān)。典型的理論是提高產(chǎn)品的效率的同時(shí)，推動(dòng)與之相關(guān)的服務(wù)系統(tǒng)的發(fā)展，考察產(chǎn)品對(duì)于用戶的必要功能延長(zhǎng)產(chǎn)品的壽命，對(duì)于產(chǎn)品整個(gè)系統(tǒng)的可持續(xù)性的發(fā)展的設(shè)計(jì)，比只對(duì)產(chǎn)品本身的設(shè)計(jì)更為重要?？沙掷m(xù)性產(chǎn)品設(shè)計(jì)的重點(diǎn)在于影響產(chǎn)品生命周期的外部因素的分析。 此外，還有其它產(chǎn)品設(shè)計(jì)的優(yōu)化方法，如環(huán)保材料(可回收和循環(huán)利用的材料)的使用。研究表明，為了改變對(duì)環(huán)境產(chǎn)生影響的揮霍性

58、消費(fèi)的現(xiàn)狀，向地球資源可持續(xù)發(fā)展的消費(fèi)水平發(fā)展我們的長(zhǎng)遠(yuǎn)目標(biāo)應(yīng)是努力同產(chǎn)品建立起更強(qiáng)的長(zhǎng)久的聯(lián)系。為了這些原由，在環(huán)保產(chǎn)品的開(kāi)發(fā)中延長(zhǎng)產(chǎn)品的壽命比其它的策略更重要，與此同時(shí)也要鼓勵(lì)在消費(fèi)者中形成可持續(xù)、長(zhǎng)期的消費(fèi)方式。設(shè)計(jì)師同時(shí)也是設(shè)計(jì)風(fēng)格和品位的締造者，產(chǎn)品的視覺(jué)形象對(duì)環(huán)境保護(hù)也會(huì)產(chǎn)生間接的影響。主要體現(xiàn)在產(chǎn)品壽命期限相對(duì)材料的選擇兩個(gè)方面。由于人們以往的生活方式造成大量的產(chǎn)品品種的過(guò)時(shí)，以及產(chǎn)品頻繁更換的速度對(duì)環(huán)境保護(hù)產(chǎn)生了不好的影

59、響?yīng)ト绻苎娱L(zhǎng)產(chǎn)品壽命期限，就可以減少對(duì)資源無(wú)</p><p>　　從某些角度看，“綠色設(shè)計(jì)”不能被看作是一種風(fēng)格的表現(xiàn)。成功的“綠色設(shè)計(jì)”的產(chǎn)品來(lái)自于設(shè)計(jì)師對(duì)環(huán)境問(wèn)題的高度意識(shí)，并在設(shè)計(jì)和開(kāi)發(fā)過(guò)程中運(yùn)用設(shè)計(jì)師和相關(guān)組織的經(jīng)驗(yàn)、知識(shí)和創(chuàng)造性結(jié)晶。目前大致有以下幾種設(shè)計(jì)主題和發(fā)展趨勢(shì)：</p><p>　　使用天然的材料以“未經(jīng)加工的”形式在家具產(chǎn)品、建筑材料和織物中得到體現(xiàn)和運(yùn)用。 2)

60、懷舊的簡(jiǎn)潔的風(fēng)格，精心融入“高科技”的因素，使用戶感到產(chǎn)品是可親的、溫暖的。 </p><p>　　3)實(shí)用且節(jié)能。 </p><p>　　4)強(qiáng)調(diào)使用材料的經(jīng)濟(jì)性，摒棄無(wú)用的功能和純裝飾的樣式，創(chuàng)造形象生動(dòng)的造型，回歸經(jīng)典的簡(jiǎn)潔。 </p><p>　　5)多種用途的產(chǎn)品設(shè)計(jì)，通過(guò)變化可以增加樂(lè)趣的設(shè)計(jì)，避免因厭煩而替換的需求，它能夠升級(jí)、更新通過(guò)盡可能少

61、地使用其它材料來(lái)延長(zhǎng)壽命，使用“附加智能”或可拆卸組件。 6)產(chǎn)品與服務(wù)的非物質(zhì)化。 </p><p>　　7)組合設(shè)計(jì)和循環(huán)設(shè)計(jì)。 </p><p>　　我們并不可以簡(jiǎn)單地認(rèn)為采用明顯的可回收材料的產(chǎn)品就一定是“綠色產(chǎn)品”，因?yàn)楫a(chǎn)品可回收性有可能成為加快產(chǎn)品廢棄速度的借口，人們對(duì)可回收材料的外觀的認(rèn)可程度也可能會(huì)對(duì)產(chǎn)品的銷(xiāo)售產(chǎn)生影響。當(dāng)“綠色設(shè)計(jì)”漸漸融入主流產(chǎn)品的設(shè)計(jì)時(shí)，設(shè)計(jì)師所

62、面對(duì)的不只是少數(shù)的“綠色狂熱分子”而是普通消費(fèi)者。如果設(shè)計(jì)僅注重功能性，而忽視用戶的審美需求，則無(wú)法延長(zhǎng)產(chǎn)品壽命。 以人為本的設(shè)計(jì)思想源于歐洲文藝復(fù)興時(shí)期的人道主義思想體系。提倡關(guān)懷人、重視人、以人為中心的世界觀。對(duì)現(xiàn)代的產(chǎn)品設(shè)計(jì)而言。</p><p>　　以人為本的思想核心指的就是在設(shè)計(jì)過(guò)程中協(xié)調(diào)產(chǎn)品-社會(huì)-環(huán)境這三者之間的關(guān)系。人類(lèi)認(rèn)識(shí)和改造自然界，目的就是為了給人類(lèi)自身創(chuàng)造良好的生存條件和發(fā)展環(huán)境。然而

63、這個(gè)簡(jiǎn)單的道理，曾一再被模糊和曲解。在過(guò)去相當(dāng)長(zhǎng)的時(shí)期內(nèi)，人們的各種行為活動(dòng)都是遵循以科學(xué)技術(shù)為手段，以征服自然為目的，以物質(zhì)財(cái)富的增長(zhǎng)為動(dòng)力的傳統(tǒng)發(fā)展模式，在一定程度上破壞了人類(lèi)賴以生存的基礎(chǔ)，人們?cè)谠嚇O典型的例子，他們的出現(xiàn)滿足了人們的物質(zhì)需求，可帶給人們更多的是情感上的失落和生活環(huán)境的重創(chuàng)。一再被自然警告后，人們開(kāi)始意識(shí)到以人為本的真諦在于對(duì)人性的真正關(guān)懷人們開(kāi)始挖掘人與社會(huì)與自然的和諧關(guān)系。而產(chǎn)品設(shè)計(jì)中對(duì)產(chǎn)品情感化的追求以及

64、對(duì)產(chǎn)品人性化的強(qiáng)調(diào)在以人為本的宗旨下順理成章。而人-社會(huì)-環(huán)境的和諧關(guān)系在產(chǎn)品設(shè)計(jì)中也可以被理解為人-產(chǎn)品-情感的和諧關(guān)系。材料環(huán)保，工藝簡(jiǎn)捷，形態(tài)美觀，制作精良的產(chǎn)品才是人們真正從心理上接受的。 </p><p>　　其次，價(jià)值觀的強(qiáng)調(diào)也推動(dòng)了人們對(duì)于情感的認(rèn)知。在過(guò)去相當(dāng)長(zhǎng)的一段時(shí)期，設(shè)計(jì)過(guò)程被看作是一個(gè)藝術(shù)過(guò)程，藝術(shù)家的審美代替了更多人的選擇，往往用戶只能是被動(dòng)接受。這樣的結(jié)果，使得產(chǎn)品和用戶之間的距離越加

65、疏遠(yuǎn)，人們甚至感受不到產(chǎn)品帶來(lái)的任何功能以外的享受。人們內(nèi)心的感受也因此變得麻木起來(lái)。隨著市場(chǎng)運(yùn)作方式的改變，用戶的思想更加主動(dòng)的參與到了設(shè)計(jì)過(guò)程，設(shè)計(jì)者不再是藝術(shù)家，專業(yè)的設(shè)計(jì)師應(yīng)當(dāng)調(diào)和各種設(shè)計(jì)因素的影響。好的設(shè)計(jì)追求的是價(jià)值觀的認(rèn)同，思想的共鳴，情感的觸動(dòng)。設(shè)計(jì)有關(guān)情感的思考也就孕育在價(jià)值觀樹(shù)立的沃土里。 </p><p>　　另外，設(shè)計(jì)中對(duì)地域性民族文化的保護(hù)和發(fā)揚(yáng)同樣體現(xiàn)了人們對(duì)于情感的關(guān)注。設(shè)計(jì)不再追

66、求批量化、標(biāo)準(zhǔn)化所帶來(lái)的單一審美，而是趨于多元化的考慮。設(shè)計(jì)中的情感需求漸漸被意識(shí)到是多向的。地域性差別，名族文化的沉積以及習(xí)俗、慣例都在設(shè)計(jì)中得以討論和探究。最終，能體現(xiàn)名族特性和個(gè)性的產(chǎn)品才是設(shè)計(jì)的成功范例。這都是對(duì)設(shè)計(jì)中情感注重的佐證?，F(xiàn)代的產(chǎn)品設(shè)計(jì)，讓人們意識(shí)到產(chǎn)品與人之間的交流關(guān)系，設(shè)計(jì)的重點(diǎn)也放在如何定位用戶對(duì)象的情感需求以及如何表達(dá)這種情感上，設(shè)計(jì)中對(duì)于情感因素各種形式的考慮也變的比任何時(shí)候都更加周全。 </p&g

67、t;<p>　　如果說(shuō)設(shè)計(jì)理論的完善意味著人們對(duì)于設(shè)計(jì)的重新思考，那么新的設(shè)計(jì)類(lèi)型的誕生則是從實(shí)踐出發(fā)的最實(shí)際需求及最直接反應(yīng)的體現(xiàn)。越來(lái)越多有關(guān)于情感的問(wèn)題被提到設(shè)計(jì)的過(guò)程中來(lái)，于是人因設(shè)計(jì)、界面設(shè)計(jì)、交互設(shè)計(jì)、無(wú)障礙設(shè)計(jì)等等一系列關(guān)乎交流和情感的設(shè)計(jì)思考方式被越來(lái)越多地加以重視和研究，并最終應(yīng)用到設(shè)計(jì)生產(chǎn)過(guò)程中。產(chǎn)品設(shè)計(jì)與各類(lèi)心理學(xué)、社會(huì)學(xué)等關(guān)乎人性特點(diǎn)研究的學(xué)科之間的協(xié)作研究也成為了指導(dǎo)設(shè)計(jì)的重要組成部分。 <

68、;/p><p>　　結(jié)論：無(wú)論是從縱向的產(chǎn)品設(shè)計(jì)發(fā)展概況來(lái)看，還是從橫向的現(xiàn)代產(chǎn)品設(shè)計(jì)的現(xiàn)狀圖征服自然的同時(shí)，往往成為了被自然懲罰的對(duì)象。機(jī)器大工業(yè)時(shí)代的工業(yè)產(chǎn)品就是個(gè)及各學(xué)科之間的關(guān)系來(lái)看，情感設(shè)計(jì)無(wú)疑已經(jīng)成為了當(dāng)下設(shè)計(jì)中最為熱門(mén)的話題之一。人們漸漸意識(shí)到產(chǎn)品設(shè)計(jì)過(guò)程中，設(shè)計(jì)師對(duì)產(chǎn)品靈魂的賦予過(guò)程是至關(guān)重要的。這里的靈魂指的就是產(chǎn)品所表達(dá)出的，能與用戶產(chǎn)生交流的情感。換句話說(shuō)，現(xiàn)代產(chǎn)品設(shè)計(jì)應(yīng)當(dāng)是一種關(guān)乎情感的規(guī)劃活

69、動(dòng)，不再是發(fā)展初期簡(jiǎn)單的物質(zhì)造型的過(guò)程。它的整個(gè)設(shè)計(jì)過(guò)程從一定意義上講就是一個(gè)物質(zhì)情感化的過(guò)程。當(dāng)代的設(shè)計(jì)師們也應(yīng)當(dāng)在設(shè)計(jì)中充分考慮到情感因素的影響，把握情感定位設(shè)計(jì)出真正能與人溝通的產(chǎn)品。在現(xiàn)代這樣一個(gè)物欲橫流、信息更迭迅速的時(shí)代里，由于情感上的嚴(yán)重缺失感，人們對(duì)于情感上滿足感的需求比以往任何一個(gè)時(shí)期都顯得急迫。設(shè)計(jì)師將面臨更多的挑戰(zhàn)和責(zé)任，設(shè)計(jì)在很好的滿足功能，為人服務(wù)的基礎(chǔ)上，更加被期待的就是情感的回歸。</p>