歷史的圖像和圖像中的歷史——從月份牌看現(xiàn)代設計在中國的出現(xiàn)及發(fā)展

1、 北 京 印 刷 學 院 碩 士 學 位 論 文設 計 藝 術(shù) 學 專 業(yè)二 ○ 一 三 屆黃 佳 音中圖分類號： 密級： 碩士學位論文 歷史的圖像和圖像中的歷史 歷史的圖像和圖像中的歷史 —— ——從月份牌看現(xiàn)代設計在中國的 從月份牌看現(xiàn)代設計在中國的出現(xiàn)及發(fā)展 出現(xiàn)及發(fā)展 IMAGE IN THE HISTORY AND HISTORY IN THE IMAGE—— ——Observing the appearing and fi

2、nding of the modern design in China in the view of the Calendar poster 專 業(yè)： 設計藝術(shù)學 研 究 生： 黃佳音 指導教師： 王艷云副教授 二〇一三年十月 II ABSTRACT In the 20th century, China was trying to change into and integrate with foreign culture und

3、er a very unstable political situation and Calendar poster was appeared as a free gift with a combination of interesting local products. Under this background, this paper attempts to represent the Chinese early modern de

4、sign process and the sense of the Calendar poster as a visual carrier. The first part of this thesis points out Calendar poster’s concept, birth-time, birthplace and the position in the history of design. The second part

5、 focuses on the interior design, furniture, and shoes’ cultural appeared in Calendar poster, especially the steel chair, to explore the emergence and development of modern design in China. Finally, through the above rese

6、arch, the paper draws three important conclusions: First, Calendar poster witness modern Western design into China, Second, pay close attention to the study of carriers which effect by modern Western design, Third, the C