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1、AcknowledgementsI am grateful for the help, support and encouragement of all the people who have made this thesis possible. They have contributed, directly or indirectly, to the completion of this thesis. My heartfelt gr
2、atitude goes first and foremost to my supervisor, Ms. Zhao Meijuan, for her intellectual guidance and constant mental support throughout my study in SISU and during the process of writing this thesis. With patience and p
3、rudence, she labored through drafts of this thesis and pointed out defects in my theorizing. Furthermore, Ms. Zhao has not only instructed me in the academic field, but also taught me to be diligent, dedicated and open-m
4、inded. Therefore it is my great honor to receive from her illuminating ideas, frank criticism and sincere help. I am also deeply indebted to all the teachers in the School of English who have provided informative and ins
5、piring courses in the first year and inspired me through their rich knowledge and academic perspectives. Special appreciation goes to my classmates too, who have given me a lot of help and courage in study and daily life
6、 during my stay in SISU.Finally, I would like to take this opportunity to express my sincere thanks to my parents. Despite their little knowledge of English language, they have offered me great financial help and mental
7、encouragement in the past years. Without them, no achievement of mine could be realized, let alone finish this thesis.AbstractStylistics, or the study of style, can be traced back to the Old Greece. Yet, it is not until
8、the recent decades that it has become a hot issue. Previous literary stylistics put more emphasis on the analysis of poetry and fiction, but neglected drama, among which Chinese modern drama was less to be touched upon.
9、Therefore, the author chooses Thunderstorm, the masterpiece of “Chinese Shakespeare” Cao Yu, as the objective of this study, and tries to explore characters’ personalities, relationships and mentalities in Thunderstorm f
10、rom the perspective of Searle’s speech act classification.Through substantial illustrations and detailed analysis, the author has eventually made the following three findings: a. As to different individuals, frequent use
11、 of some speech acts results from varied personalities; b. As to the same person, use of different speech acts aiming at different targets reflects their varied relationships; c. Adoption of an uncommonly-used speech act
12、 indicates changes in mentality. Under the guidance of speech act theory, the author carries an all-round empirical study on dramatic personae in Thunderstorm, substantiating the feasibility of integrating linguistics wi
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