野獸派繪畫形式語言的研究

1、 編 號： 碩士學位論文 碩士學位論文 題 目： 野獸派繪畫形式語言的研究 培 養(yǎng) 單 位： 沈陽師范大學 專 業(yè) 名 稱： 美術(shù)學 指 導 教 師： 李國森 研 究 生： 薛冬冬 完 成 時 間： 2014 年 5 月 沈陽師范大學研究生處制類 別 全日制研究生 √ 教育碩士 同等學力 II Fauvist paintings formal language study Abstract I

2、n this paper, a theoretical point of view in the form of language, analysis Fauvist painter and his work on behalf of, a deeper understanding of the beauty of Fauvist works in painting form language. In the long process

3、of development of oil painting, producing many artistic concepts, but also produce a lot of style factions, painters painting formally conducted in different studies. Produced in the early twentieth century French Fauvis

4、m, composed by a number of artists, they followed the direction of the heart, with the non-reproducible color language, happy to express themselves, to achieve the greatest degree of self-liberation and paintings, Fauvis

5、m marks the emergence of the idea of painting the world showed a modern sense, is a change in the painting. In this paper, a lot of literature and reference books, paintings using analysis, document retrieval access to o

6、ther research methods, formal language for Fauvist paintings were analyzed. Respectively, from the performance aspects of physical and spatial layout, strokes and lines, colors and decorative, such as on the performance

7、of the Fauvist paintings in the form of language were analyzed. It is evident that the impact of the East and West Fauvist paintings painting generated Fauvist painter absorbed the essence of Oriental Art in the form of

8、two-dimensional plane and African primitive art, creating a form different from the Western tradition of painting in the painting language, their pursuit of artistic expression boldly subjective, affect the development o

9、f modern painting, affecting people of the whole world a new understanding of the concept of art. They use solid direct smear seemingly random picture, they deform simplified form, completely breaking the shackles of tra

10、ditional Western theory of painting. Fauvist paintings explore the formal language, their perception towards life, to treat mental attitude toward the depths of our art is the art of guiding light, is our way forward and

11、 efforts. Fauvist paintings on the formal language of analysis and research not want people to go to the surface to imitate it but want people to go with the heart of the arts and sincere sentiment Fauvism. Fauvism paint

12、ing is a world of colors, their work philosophy, the objective is no longer to mimic things as the main task, do not simply record the story, nor the performance of obscure meaning, their bold colors and innovative forms