美聲唱法與民族唱法共融性問題考察與反思——以張權(quán)聲樂藝術(shù)理論和實踐為例

1、西安音樂學(xué)院碩士學(xué)位論文美聲唱法與民族唱法共融性問題考察與反思--以張權(quán)聲樂藝術(shù)理論和實踐為例姓名：劉琰申請學(xué)位級別：碩士專業(yè)：聲樂教學(xué)與演唱指導(dǎo)教師：賀為民；葉 明 春2011-04西安音樂學(xué)院碩士論文 Abstract IIAbstract Over many years, bel canto and folk singing ha

2、ve been fixed in the two theories are not mutually vocal intersection concept. In vocal teaching,often have students ask, “I am fit to sing bel canto teacher, or the singing of folk singing?” This type of problem. So thi

3、s has been a vocal music teacher in one of the most difficult problems encountered when teaching. Sure to draw the line between the two it? Is it only the differences between the communion of the Department is not it? Th

4、en, Why do older generation of singers singer Zhang Quan and Wu Bixia but can the two singing a perfect interpretation of it? This is undoubtedly a troubled vocal teaching and vocal music theory problems. This topic belo

5、ngs to the field of vocal music teaching and singing for the theoretical study, Articles mainly on the bel canto singing and folk singing in the technology, skills, And human muscle energy and other aspects of vocal harm

6、ony issues. This article deals with the theory of voice, teaching practice, music history, music aesthetics, and many other disciplines, Among them, soprano Zhang Quan theory and practice of vocal music as an example for

7、 analysis, Singing in the bel canto and folk singing of technique and style take on the concert features, Singing in order to achieve scientific and practical significance of the theory of sublimation. Keywords bel canto