概述聲樂教學(xué)中的辯證思考——導(dǎo)師羊?yàn)檐娊淌诘慕虒W(xué)研究

1、西安音樂學(xué)院碩士學(xué)位論文概述聲樂教學(xué)中的辯證思考--導(dǎo)師羊?yàn)檐娊淌诘慕虒W(xué)研究姓名：王超申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：聲樂表演指導(dǎo)教師：羊?yàn)檐?011西安音樂學(xué)院學(xué)位論文 AbstractIIAbstract Abstract Abstract AbstractThe studying and performance of vocal music has been defined as a technical andpractical musi

2、cal discipline, which is based on the method of oral instruction anddemonstration in the teaching and discipline forming. It has been gradually forming someacademic achievements in terms of the theoretical development. F

3、rom the information thatthe author has gathered, the related monographs and periodicals mainly discussed the self practice of the vocal music, and the personal sense on the basis of the structural system ofthe vocal soun

4、d production way, which fully reflects the variety of the relevant academicthoughts.In this dissertation, the author uses the concept of Marxist philosophy as the anchorpoint. This writer applies the relationship between

5、 “substance and consciousness“, “views of opposition, dialectic and unity“ and the principle of “quality and quantity inter-change“ inthe “three views and two principles“ of Marxist philosophy in this essay. Besides, by

6、fullyintegrating Professor Yang weijun’s vocal pedagogy, the author analyzes in depth theprocess of making the material carriers of vocal music - vocal organs of the human body -into an “instrument“ , the function of the

7、 consciousness in the vocal practice, and the opposition and unity in multiple vocal fields, such as the opposition and unity in the breathcontrol, the opposition and unity in terms of the “l(fā)ooseness“ and “tightness“ in

8、the vocalmechanics, and the opposition and unity of “front and back”, “l(fā)ightness and darkness” interms of the tone quality. Finally, from the angle of materialism, specifically speaking,quantity to quality changes, the a

9、uthor explains the proper sequence in vocal study from both perspectives of the teaching and learning, which comprehensively expresses the necessity ofperfecting the philosophical thinking in the vocal study.Key Key Key