周思聰人物畫(huà)“彝女系列”分析及其“黃昏意象”淺析

1、 周思聰人物畫(huà)“彝女系列”分析及其“黃昏意象”淺析 論文題目：周思聰人物畫(huà)“彝女系列”分析及其“黃昏意象”淺析 周思聰人物畫(huà)“彝女系列”分析及其“黃昏意象”淺析 專 業(yè)：美術(shù)學(xué) 碩 士 生：仝曉鵬 指導(dǎo)教師：張小琴 教授 摘 要 本文通過(guò)對(duì)周思聰中國(guó)人物畫(huà)藝術(shù)發(fā)展歷程的簡(jiǎn)要描述， 著重分析周思聰彝族婦女題材的作品（以下簡(jiǎn)稱彝女系列）在其整個(gè)藝術(shù)生涯中所呈現(xiàn)出的不同風(fēng)

2、格面貌以及作品的情感內(nèi)涵。 新見(jiàn)解：“彝女系列”部分作品中描繪的是黃昏景象，黃昏是容易激發(fā)人情感和審美的時(shí)刻，本身就包涵了許多情感內(nèi)涵。那么，周思聰“彝女系列”中黃昏意象有什么涵義？筆者認(rèn)為她所表現(xiàn)的黃昏意象體現(xiàn)出了以下幾點(diǎn)情感內(nèi)涵：一、感傷的意味和孤獨(dú)寂寞之感。二、凝重深沉的人生感喟與時(shí)不我待的遲暮情懷。三、生命回顧。四、回歸大自然、天人合一。畫(huà)家晚期的“彝女系列”作品在題材上涵蓋了女人生命中的許多重要節(jié)點(diǎn)，筆者認(rèn)為，這正是畫(huà)家自己對(duì)

3、生命中重要節(jié)點(diǎn)的回顧和留戀：從天真的嬉戲小孩到恬靜的少女到浪漫的林中戀愛(ài)再到母子系列等， 無(wú)不融匯了身為女性的畫(huà)家本人對(duì)生命的體驗(yàn)和感受。周思聰一生坎坷，早年為家庭為事業(yè)和工作忙碌不休，生病之后依舊畫(huà)筆不停，在她身體機(jī)能日漸衰弱的時(shí)候，她并未停止創(chuàng)作，反而在她的精神境界和藝術(shù)高度上取得了升華，使性格本來(lái)安靜含蓄的她更加寧?kù)o淡泊，在返璞歸真的藝術(shù)表達(dá)中更加率真和自由。正文中就此幾點(diǎn)展開(kāi)分析。 論文共分為三個(gè)部分，第一部分對(duì)周思聰?shù)乃囆g(shù)生涯

4、作出簡(jiǎn)短描述，結(jié)合時(shí)代背景對(duì)周思聰藝術(shù)傳承脈絡(luò)以及人物創(chuàng)作作出梳理。第二部分對(duì)“意象”作出簡(jiǎn)要闡述，并重點(diǎn)分析周思聰“彝女系列”中黃昏意象的情感、精神內(nèi)涵。以及對(duì)其作品風(fēng)格影響的兩個(gè)關(guān)鍵因素的論述。第三部分展開(kāi)分析“彝女系列”各時(shí)期作品。從創(chuàng)作緣起談起，分析 “彝女系列” 作品的藝術(shù)風(fēng)格、 表現(xiàn)手法以及不同時(shí)期的風(fēng)格轉(zhuǎn)變與藝術(shù)升華， “彝女系列”作品通過(guò)對(duì)彝族婦女平凡生涯的描繪來(lái)表達(dá)畫(huà)家對(duì)平凡生命的體驗(yàn)，實(shí)現(xiàn)了畫(huà)家與彝女的心靈溝通，使畫(huà)

5、面真摯感人，耐人尋味。最后結(jié)論：就繪畫(huà)本身來(lái)講，觀念的產(chǎn)生最重要的就是做回自我，而且具有對(duì)美的獨(dú)立思考的能力。周思聰正是這樣一位優(yōu)秀的藝術(shù)家。 她用自己敏感的思維和獨(dú)特的觀察角度很好地表現(xiàn)出大家司空見(jiàn)慣卻被忽略的美，而正是這種具有平凡之美的畫(huà)面更能感人至深，觀念和技法也更能能得到有力支撐。做到這一點(diǎn)正是每一位行走在藝術(shù)之路的藝術(shù)家們的終極追求。 周思聰人物畫(huà)“彝女系列”分析及其“黃昏意象”淺析 The

6、topic of the thesis:The image of dusk on the Zhou Sicong portrait ““ “-- Analysis of Yi women series“ works Professional:Fine Arts Scholar:Xiaopeng Tong Guidance teachers:Xiaoqin Zhang Professor ABSTRACT This paper brie

7、fly described the development process through to Zhou Sicong China portrait art, analyse Zhou Sicong Yi women works (hereinafter referred to as the Yi women Series) emotional connotation which appears inthe whole art car

8、eer in a different style appearance and works. New ideas: “Yi Girl Series“ depicts a part of works is the evening scene, dusk is easy to stimulate the humanemotion and aesthetic moment, itself contains many emotional

9、connotation. So, Zhou Sicong “Yi Girl Series“ image of dusk have what meaning? The author thinks that the image of dusk she showed embodies the following points:an emotional connotation, sentimentality and lonely feeling

10、. Life sigh and Time will not wait for me. two, dignified deep feelings fade. Three, life review. Four, return to nature, harmony between man and nature. The painter late“Yi women series“ works in subject matte

11、r covers many important node in the lives of women, the author thinks, this is the painter himself to review important node in life and nostalgia: from naive play the children into the quiet girl to the mother sub series

12、 love again romantic forest, all together the body for female artist himself to the lifeexperience and feeling. Zhou Sicong had a rough life, early for the family as a career and work busy, sick after the brush kept stil

13、l, when she is physically debilitating, she did not stop writing, but in her spirit and artistic heightobtained the sublimation, so that the character was quiet and reserved her more quiet indifferent, more outspoke

14、nin expressing recover one's original simplicity art and freedom. Abstract in this time is to start the analysis. The thesis is divided into three parts, the first part of Zhou Sicong's artistic career and ma

15、ke a brief description,combining with the background to make analysis of Zhou Sicong art heritage context and character creation. The second part of the “image“ to make briefly, and focuses on the analysis of Zhou Sicong