初探歐洲早期歌劇中宣敘調(diào)風(fēng)格的把握與演唱——以巴洛克和前古典主義時(shí)期宣敘調(diào)唱段為例

1、西安音樂學(xué)院碩士學(xué)位論文初探歐洲早期歌劇中宣敘調(diào)風(fēng)格的把握與演唱--以巴洛克和前古典主義時(shí)期宣敘調(diào)唱段為例姓名：馬瑞申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：聲樂表演指導(dǎo)教師：周玲2011西安音樂學(xué)院碩士論文 Abstract IIAbstract As a postgraduate student majoring in vocality, we of

2、ten sing some recitatives from operas, but lacks of paying enough attention and researching. Recitative is main component of Opera, it serves as developing plot, introducing aria, connecting act and scene, expressing dra

3、matic conflict and so on. Intensifying the study of researching the recitative , it will be instructive meaning for vocal music teaching and performing. Through the study on the relative sound materials, opera sheets, li

4、terature and document, analysis of personal understanding, and research on Opera’s development, the rise and development of recitative, trying to show how to grasp the recitative’s style more accurately and more concrete

5、ly, at last if studying the recitative, we need to pay more attention to the neglected theoretical research, and it will be practically instructive meaning for grasping the recitative’s style. Keywords Opera recitative