作品廢舊車系列——淺談水彩畫的厚重感

1、 編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題目：作品《廢舊車系列》 題目：作品《廢舊車系列》—— ——淺談水彩畫的厚重感 淺談水彩畫的厚重感 培 養(yǎng) 單 位： 美術(shù)與設(shè)計(jì)學(xué)院 專 業(yè) 名 稱： 美術(shù) 指 導(dǎo) 教 師： 董喜春 研 究 生： 劉立明 完 成 時(shí) 間： 2015 年 4 月 沈陽師范大學(xué)研究生處制類 別 全日制研究生 √ 教育碩士 同等學(xué)力 II Abstract It has bee

2、n hundred years of history since the western watercolor painting was introduced into China. Today, the Chinese watercolor painting is always in the continuous development of continuous innovation, and the artists are cr

3、eating works both in style and theme of the form. There has been extremely significant breakthrough for years. In the past, some traditional water dripping wet in watercolor painting, light transparent feeling is no lo

4、nger satisfied with the needs of many watercolor creators. Thick, strong watercolor large creation began to appear constantly in front of us, they are no matter from the use of techniques or material medium are differe

5、nt from our past traditional watercolor painting. To this, many people believe that it has lost the essential characteristic of watercolor painting, watercolor even question whether this can be? In some people's view

6、, watercolor painting should be transparent light, water dripping wet, this is the watercolor painting should have the basic attributes. Is watercolor painting should not pursue the visual effect of massiness, exquisit

7、e? Many people have some controversy. In the past we always defined watercolor painting with light transparent, water dripping wet, lyrical and elegant, which is, of course, our understanding of some of the traditional

8、watercolor painting. But in today's this is not the only face of watercolor painting in watercolor painting, watercolor and this is not kind of fundamental difference with other pictures, “graveness“ is not only oil

9、painting can achieve more, watercolor painting can also achieve the result that is thick and strong. In watercolor painting, of course, it seems, “graveness“ also have the bottom line, it should not be at the same time

10、in the pursuit of heavy loss of the essential characteristic of watercolor painting - “transparency“, under the premise of transparency as long as not contrary to the essence of watercolor to pursue picture of massiness,

11、 won't get lost, or you will fuzzy pictures, and even eliminate the ontology language of watercolor. Through the creation of my two large used car series, in the process of creation, after repeated attempts and impro

12、vement, try a variety of media and techniques, using combined do wet, on the basis of transparency without violating highlights the “thickness“, deep emotions which is used to describe the fire and the memory of snow a