“橋”——從大倉橋系列創(chuàng)作談云間畫派意趣在寫生與重構(gòu)中的體驗

1、 I 學(xué)校代碼：10270 分類號： 學(xué)號：122502315 碩士專業(yè)學(xué)位論文 “橋”——從《大倉橋》系列創(chuàng)作談云間畫派意趣在寫生與重構(gòu)中的體驗 專業(yè)學(xué)位類別： 專業(yè)藝術(shù)碩士 專業(yè)領(lǐng)域： 美

2、術(shù) 作者姓名： 宋 巍 指導(dǎo)教師： 姚 爾 暢 答辯日期： 2015 年 4 月 7 日 上海師范大學(xué)碩士學(xué)位論文 Abstract Mo Shilong and Dong Qichang, who suc

3、cessively came up with the idea about “ North and South (NanBei ) Zong” , made the great contribution to Chinese painting. It was Mo Shilong who first brought up the theory that considered the talented painter should pai

4、nt the artistic mood instead of the image. So, the theory emphasized the mood and concept behind the painting and picture presented naturally. With developing Mo’s theory, Dong Qichang promoted “South Zong” ( Nan Zong),

5、 which highlighted likeness in spirit and special features. In my work “ Da Chang Bridge”, I want to reveal my true feeling that essentially it is a kind of strong attachment to my hometown. So, what the beauty to the

6、shape seen from the bridge in different scenes is what displaying to vagueness. We can understand that wandering and gathering cross over the long history. Every time, I feel incredibly fresh when I stare at my work. It

7、is the blending of freshness and familiarity that sparks to draw the picture. That is “artistic concept” as my first creation notion, which makes my picture base on the image and nature. Therefore, the style of my oil-pa