二十世紀(jì)中國(guó)畫(huà)語(yǔ)言轉(zhuǎn)型及思考.pdf

1、Y768836●t●●tII“●●墊熊I叢■疊^●：福建師范大學(xué)硬士學(xué)位論文=世圮中■■■■■量墨?？糿1nr皿nI—“m一衲M“哪hfa岫—h山11I“l(fā)q曩p印岫t1=“也C啊恤|，韓芳學(xué)科專業(yè)：暑莖堂研究方向：生墾基王量厶塑指導(dǎo)教師：圭主直盤(pán)授申請(qǐng)學(xué)位敷別：窯生亟論立播立日期論立許田^論文善常日期善瑚壬禺臺(tái)主席學(xué)位攫予單位掌恤授予目期oot年四月B!191圭生旦擅蠢婭蘊(yùn)古蘭2Q9生旦AbstractToChinesetraditi

2、onalpainting，the20thcenturywasfullofsufferingandaperiodofinnovations，unprecedented，profoundlyinwhichthemostremarkablechange，was，undoubtedlythatthelanguagesystemofChinesepaintingcompletedthetransformationfromclassicaltomo

3、demThisthesisattemptstoexploresomeordersunderthephenomenaoftheinnovationofChinesepaintingformthroughretrospectingandthinkingthewholecourseofthecentury’Slanguagesystemtransitionandalsoattemptstoacquiresomeexperiencesthatp

4、erhapswouldbebenefitfornewerdevelopmentofthepresentChinesepaintingFirstlyitsummarizesthefoundmantalfeatureofChineseclassicalpainting’Slanguagesystemandessentiallyrelatestheinfluenceboughtbyaestheticinteresttransformation

5、inYuan，MingandQingdynastySecondly，itdevidesthreeperiodtoarguethecourseofthetransformationoftheChinesepainting’languagesystemaswellasthedevelopmentstatusandcharacteristicsofeverystagethirdlyitconcludesthegainandlossofthee

6、xperiencesofacentury’Sexploringformfromseveralaspectsasthefollowing：thecloseandopenofthepainting’languagesystemnationalization，harshandtoleranceofthetheoryenvironment，harmonyandmisplacingofthelanguageandspiritualaspectsf

7、inallyithopesthattheChinesepaintingwouldrebuilditownvaluesystemandalleviatethedisequilibriumofthedevelopmentbetweenChinesepainting’S“diagrammatic’’and“spirit”onthebasisofexploringChinesepainting’Sforminordertoenteranewst