民族文學(xué)視野下的竹枝詞研究_16857.pdf

1、摘要竹枝詞是巴渝地區(qū)古老民族的山歌遺韻，有濃郁的少數(shù)民族歷史背景和文化蘊(yùn)涵。作為一種經(jīng)漢族文人挖掘、倚聲填詞的文體，是西南、中南交界處巴人、濮僚和楚民族融合的產(chǎn)物，集音樂(lè)、舞蹈、詩(shī)歌為一體，為中古詩(shī)歌舞活化石。唐代詩(shī)人杜甫、白居易、劉禹錫、元稹等經(jīng)三峽或貶謫附近時(shí)即對(duì)“竹枝”有關(guān)注，杜甫寓夔期間有《夔州歌十絕句》，“萬(wàn)里巴渝曲，三年實(shí)飽聞”(《暮春題滾西新賃草屋五首》)，“竹枝歌未好，畫(huà)舸莫遲回”(《奉寄李十五秘書(shū)二首》)等詩(shī)句。白居易

2、、劉禹錫作為聯(lián)系民間大家，最先作竹枝詞。白居易開(kāi)風(fēng)俗竹枝，劉禹錫創(chuàng)“白帝城頭“之曲，與屈原《九歌》爭(zhēng)高。宋時(shí)蘇軾、蘇轍、黃庭堅(jiān)等追摹唐藝，在三峽武陵地區(qū)各有所獲。元楊維楨等于西湖另開(kāi)竹枝詞傳播中心，明后竹枝詞始盛，清蔚為大觀?！懊褡逦膶W(xué)”作為比較文學(xué)的術(shù)語(yǔ)，以往多用于國(guó)與國(guó)、民族與民族間跨語(yǔ)言、跨民族、跨文化、跨學(xué)科研究。本文取民族文學(xué)視野，以西南少數(shù)民族竹枝詞為研究重點(diǎn)，對(duì)多民族因遷徙、融合而形成的竹枝詞進(jìn)行梳理、考證，并述其源流以及

3、對(duì)漢族文人竹枝詞創(chuàng)作的影響。導(dǎo)論部分簡(jiǎn)要梳理竹枝詞從產(chǎn)生到清代發(fā)展及各朝竹枝詞創(chuàng)作情況與形式變化，回顧竹枝詞點(diǎn)評(píng)史與研究史，分析竹枝詞民族文學(xué)研究視角的缺乏與研究?jī)r(jià)值，交代論文研究思路與所受現(xiàn)代學(xué)者啟發(fā)。第一章為本文基礎(chǔ)部分，梳理西南少數(shù)民族巴、盤(pán)瓠、濮僚族源神話與竹枝詞關(guān)聯(lián)，探討多民族音樂(lè)、舞蹈與竹枝詞關(guān)系，對(duì)竹枝詞產(chǎn)生的時(shí)問(wèn)地點(diǎn)諸說(shuō)進(jìn)行深入分析，提出自己關(guān)于竹枝詞產(chǎn)生時(shí)間、地點(diǎn)與民族說(shuō)。第二章為論文綜合概述部分，通過(guò)對(duì)竹枝詞“名解”

4、諸說(shuō)列舉，ABSTRACTJIlll／IIIIIIIIIIFIIIFIJllY2137472OriginatedfromtheancientfolksongsinBaandYuareas(approximatelytheborderareasbetweenpresentChongqingandHubei)，theZhuzhiPoemsaccumulatedthesignificanthistoricalandculmralheritag

5、esof10calethnicminoritiesAlthoughthePoemsweremainlydevelopedandpromotedbyHanChinesemenofletters，theirstyleswereintegratedwiththepoeticartsofsuchancientethnicminoritiesastheBa，PuliaoandChupeopleslivingintheseareasAsthePoe

6、mscomprehensivelycombinedtheartsofmusic，danceandpoetry，theywereworthyofthelivingfossilsofancientartsintheseareasParticularly，somewell—knownpoetsofTangDynasty(618AD一907)suchasDuFu，BaiJuyi，LiuYuxiandYuanZhen，whentravelinga

7、roundtheseareas，showedtheirinterestinthePoemsForinstanceduringhisstayatKuizhou，DuFupraisedthat“onewouldtakethreeyearstoappreciatetherichfolksongsinBaandYuareas”and“theZhuzhiPoemscannotbesangoutinasingledaythesingershavet

8、odrivebacktheirboatsin1ateafternoon”Besides，BaiJuyiandLiuYuxi，thegreatpoetscloselyrelatedtotheordinarypeople，firstwrotetheZhuzhiPoems；amongthem，BailedtheworksbasedontheZhuzhifolksongs、andLiucreatedthestyleofBaidiChengtou

9、；andtheybothtriedtomatchwithtimJiuGewrittenbythepoetrymasterQuYuan(339BCE——278BCE)LaterinSongDynasty(960AD1279)，thegreatpoetssuchasSuShi，SuZheandHuangTingjianappreciatedandlearnedfromtheTangpoeticstyles，andtheyrespective

10、lygotinspirationfromtheZhuzhiPoemsinBaandYuareasTheninYuanDynasty(1271AD一1368)，thepoetrymasterssuchasYangWeizhenestablishedacenterforpromotionoftheZhuzhiPoemsattheWestLakeinpresentHangzhouofZhejiangAftertheMingDynastyf13

11、68AD～1644)，thePoemswentflourishingandarrivedtheprimeinQingDynasty(1644AD一1911)Asatermofcomparativeliterature，ethicliteraturewasgenerallyusedincomparativestudiesacrosslanguagesculturesanddisciplinesbetweennationsornationa