19世紀(jì)意大利歌劇與審美視界的關(guān)系探究——以威爾第的創(chuàng)作經(jīng)歷及其歌劇作品為例_9699.pdf

1、學(xué)校代碼：10663學(xué)號(hào)：4201210000613貴州師范大學(xué)碩士學(xué)位論文19世紀(jì)意大利歌劇與審美視界的關(guān)系探究—以威爾第的創(chuàng)作經(jīng)歷及其歌劇作品為例TheresearchontherelationshipbetweentheoperaofItalyitsaesthetichizonin19thcenturyinthecaseofVerdi’sartlifehisoperas專(zhuān)業(yè)名稱(chēng):藝術(shù)學(xué)理論專(zhuān)業(yè)代碼:130100研究方向:藝術(shù)表演申

2、請(qǐng)人姓名:石萌導(dǎo)師姓名:劉媛（教授）二零一五年四月二日目錄摘要............................................................................................................IAbstract........................................................................

3、..............................II緒論.................................................III第一章19世紀(jì)歌劇發(fā)展概述..............................1第一節(jié)從羅西尼到普契尼................................................................1一、羅西尼.........

4、...........................................................................1二、多尼采蒂、貝利尼................................................................2（一）多尼采蒂..............................................................

5、........2（二）貝利尼..........................................................................3三、馬斯卡尼、列昂卡瓦洛........................................................3（一）馬斯卡尼......................................................

6、................3（二）列昂卡瓦洛.................................................................3四、普契尼...................................................................................4第二節(jié)威爾第的創(chuàng)作“三部曲”..........................

7、.......................4第二章社會(huì)發(fā)展中的歌劇審美需求........................7第一節(jié)浪漫主義歌劇對(duì)社會(huì)生活的反映....................................7一、社會(huì)背景下的歌劇審美傾向...........................................8二、威爾第的“革命戰(zhàn)歌”................................