從黃賓虹的“五筆七墨”談“書法入畫”_9508.pdf

1、碩士學(xué)位論文MDThesis從黃賓虹的“五筆七墨”談“書法入畫”Researchon“PicturesqueCalligraphy“BasedonHuangBinhong’S“FiveusagesofCalligraphyandsevenusagesofInk“研究生姓名：梅成藝Nameofstudent：Meichengyi學(xué)科專業(yè)：美術(shù)Major：FineArts申請學(xué)位類別和級別：全日制專業(yè)碩士學(xué)位，2012級Toapplyfor

2、graduateclassesandlevels：applicationoffull—timeprofessionalmaster’Sdegreein2012學(xué)位類別：藝術(shù)碩士Degreegrantingunits：ZheJiangNormalUniversity指導(dǎo)教師：趙濺球Instructor：Zhaojianqiu提交日期：2015年3月25日SubmittedDate：March25，2015AbstractTheartofl

3、andscapepaintingofthefamousmodemlandscapepainterHuangBinghongisanotherlandmarkinthedevelopmentoflandscapepaintingsinceSongandYuanDynastyHeleftnumerousimmortaltheoreticalworksandartworkswhichhaveepochmakingsignificanceBas

4、edonhisstudyof“PicturesqueCalligraphy”，HuangBinghongputforward‘‘FiveusagesofCalligraphyandsevenusagesofInk”，whichistheessenceofhisarttheoryThat’Swhyhis“PicturesqueCalligraphy”worthUStostudyandresearchInthefirstchapter，th

5、epapersummarizesthebackgroundandprocessoftheformationoftheideologicaltheoryofHuang’S“PicturesqueCalligraphy”Uponmakingtheoryof‘‘FiveusagesofCalligraphyandsevenusagesofInk’’asthebreakthroughpoint，thispapercomprehensivelya

6、nalyzesthepeculiarityof“PicturesqueCalligraphy”Atthesametime，thepapermakesdetailedinterpretationof“FiveusagesofCalligraphyandsevenusagesofInk”，andanalyzesthepaintersinthehistorywhoview‘‘PicturesqueCalligraphy’’astheirgui

7、dingthoughtinordertobetterunderstandHuang’SuniquearttheoryInthesecondchapterthepaperputsmoreemphasisonthedevelopmentof“PicturesqueCalligraphy”madebyHuang，andHuang’SownuniqueinsightIntheexplorationof“FiveusagesofCalligrap

8、hyandsevenusagesofInk”，thepaperanalyzesspecificmeaningof‘‘FiveusagesofCalligraphy’’and“Sevenusagesoflnk”AnditrisesHuang’Sspirituptotheperspectiveof“moral”，notonlyjustrestsontheperspectiveof“art”Inthethirdchapterthepapere

9、xamplesseveralcontemporarylandscapepaintersinfluencedbyHuangBinghongFromtheirarttheoryitdefinestheprofoundinfluenceofHuang’S‘‘FiveusagesofCalligraphyandsevenusagesofInk’’and“PicturesqueCalligraphy”onthecontemporaryartThe

10、nfromtheperspectiveofown，itputsforwardsomesuggestionsontheexistingproblemsduringthedevelopmentoflandscapepaintingInthelastpart，thepaperinterpretssomerepresentativeworksduringtheperiodofpostgraduateViewing“FiveusagesofCal