追憶消逝的“摩登時代”——論20世紀(jì)90年代以來的上海懷舊文學(xué)_39994.pdf

1、上海師范大學(xué)碩士學(xué)位論文追憶消逝的“摩登時代”——論20世紀(jì)90年代以來的上海懷舊文學(xué)姓名：張光華申請學(xué)位級別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：賈明20090401AbstractIn1990’S“l(fā)iterarynostalgiaofshanghai“isaremarkableliteraryphenomenon，“NostalgiaforShanghai”cannotberegardedjustasrecallingsentimentso

2、rpopularsubjectmatter，atthesametimetheyalseflectthewriter’Spositionandspiritualvalues。ShanghailiteraryworksthroughthenostalgiaofoldShanghai’SculturalRemembranceandimagination，Problemofurbanculturalidentityemerged。“cultur

3、alidentity”isrelatedtotheneedofsociety，history，andcultureinacertaintimes，aswellastothesenseof“anxiety”。“confusion”。‘。lose’”producedinthecourseofpursuingculturalidentity。Inthispaper，authorwillanalyzetheworksofshanghainost

4、algialiterature，writersandnostalgicreasons，trytoanalyzetherelationshipbetween“nostalgiaintheliterarytexts”andtheconstructionof‘。culturalidentity”ofshanghaiandtheessentialsignificanceaswellastheexistingdeficienciesofthisc

5、onstructionforthepastandfuture“culturalidentity“ofshanghai。Thetextofthisthesisistotallydividedintothreeparts：Thefirstchapterbrieflyreviewedthesourceof“nostalgia”，thehistoricalevolutionanditsrelationshipwithmodernity。Andf

6、ocusonananalysisofthethreeaspectsofmodemnostalgia：regressionnostalgia，reflectivenostalgia，identitystylenostalgiaandtherelationshipbetweennostalgiaandaesthetic。ThesecondchapterfirstbrieflyreviewsthehistoryofShanghai’Surba

7、nliteratureandthestatus；Secondly，analyzethecauseof“nostalgiaintheliterarytexts”phenomenonaswellastherelationshipbetweenwritersandworks；finallyanalyzethe‘。documentary’’typeofnostalgiaoftheproseworksandthe‘。fiction“oftheno

8、stalgicworks(foranexampleasWanganyi’Schanghenge》)Thethirdchapteronthebasicofreadingthesecondchapterpointedoutthecharacterofcultureofshanghaiduringtheanostalgiaintheliterarytexts”：refinementandaestheticdailylife，romantica