賈樟柯電影藝術(shù)風(fēng)格的堅(jiān)守與轉(zhuǎn)變_2146.pdf

1、√掣必惻分類(lèi)號(hào)Y3275473UDC——嬸勰u杰曼學(xué)號(hào)叢!壘!耋里密級(jí)——碩士學(xué)位論文(全目制學(xué)術(shù)學(xué)位)賈樟柯電影藝術(shù)風(fēng)格的堅(jiān)守與轉(zhuǎn)變王甜指導(dǎo)教師姓名：簋墨墊型塾撞，揚(yáng)劌態(tài)堂，姿薟塹劌，22三QQ里申請(qǐng)學(xué)位級(jí)別：亟學(xué)科專(zhuān)業(yè)名稱(chēng)：垡型當(dāng)受狃堂論文提交日期：2Q12生5旦論文答辯日期：2Q!Z生三月2Q旦學(xué)位授予單位：揚(yáng)劌盤(pán)堂學(xué)位授予日期：2Q12生魚(yú)旦3Q旦答辯委員會(huì)主席：睦蕉煎撞揚(yáng)州大學(xué)碩士學(xué)位論文AbstractAsarepresen

2、tativeof”thesixthgeneration”director，JiaZhangkehasconsistentlyadheredtothedoculnentar)，images夠1eandhⅧnanjsticcareforreal1虢Hehasfonneditsownuniqueanistics夠1eandmadeadifferenceincontempora巧moViesWiththechangeofthefllmsyste

3、mandthedevelopmentofthe矗1mmarket，aswellasthechangeofthetimesandthegrowthofhisownexperience，meartistics夠1eofJiaZhangke’sfilmshasalsochangedFrom”forbiddentoshootfftofamousbothath。meandabroad，thepersistenceofJiaZhangke’s甜is

4、tics夠1eshowshisdeephumallisticconcem，andchangesshowthathebegantopayattentiontothedeVelopmentollmmarketT11ispapertakesJiaZhangkeand11ismoViesasthemainresearchobject，s㈣arizeshiscreativebackgroundandtheoreticalsources。Accor

5、dingtotheartisticcharacteristicsofthe丘lm，mscreativestageiscombedanddiVidedTheexplorationstageproVidedexperienceanddirectionforJiaZhangke’smtI_1recreation，thematurestagewasarelatiVelystablestageThemetaIno印hosisstageisaper

6、iodofchangeThechangesofJiaZhangke’ss夠1earemailllymallifestedint11echangeofnarrativestructure丘omfragmentationtoplate，戧1enarratiVespacefromthehometowntotheworld，thecreationofthediscourse矗omtheindiVidualtothemainstre鋤，theme

7、mefromtheedgetothepublicThou曲theuseofsymb01stoshowmechangesofthetimesandthef亂eofthecharactersandthecultureofthi幽gAtthes鋤etime，hebegantointegratecommercialelementsintothefilm，emphasisontheimegrationofartandbusinessoffilms

8、Tbjspapermailllyusestexta11alysismethodandliteratureresearchmethodtostudythepersistenceandchangecontentsofJiaZhangkefilm’sanisticstyleCombinedwiththedevelopmentofthecontemporaryfilmmarl(et，thispaperanalyzesthemarketingst

9、rategiesofJiaZhangke’sfilmsandtheinnuenceoncontemporaryfilmWiththerapiddeVelopmentofthefilmindustrVhowtobalancetheartistica11dcommercialnatureofthefilmisnoto工1lytheproblemofthefilmmarket’butalsomeproblemthatmedirectornee