“南曲北唱”考——以【二犯江兒水】與【撲燈蛾】曲牌為例.pdf

1、中國音樂學(xué)院碩士學(xué)位論文“南曲北唱”考——以【二犯江兒水】與【撲燈蛾】曲牌為例姓名：徐欣申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：姚藝君20080501Abstract‘NorthernPlayofSouthernQu’representsthemethodofcomposingandperformingofKunQuOperainMingdynastyAlongwith‘‘SouthernPlayofNorthemQu”‘Norther

2、nPlayofSouthernQu’becamethecentralcharacterintheinteractionofQubetweenthenorthandsouthThispaperbeganwithanexplanationofcNorthernPlayofSouthQu’，thendiscussed[ErFanJiangErShui]and[PuDengEr]fromtheMingandQingDynastywithrega

3、rdtotheircontentsandformsthroughmethodsofMusicalMorphologyThediscussionfocusedonthedifferencebetweenatypical‘NorthernPlayofSouthernQu”，representedby[ErFanJiangErShui]，andanontypicalrepresentedby[PuDengEr]，intermsoftheirC

4、istylesandscalesAtthispoint，theauthorbroughtuptheconceptsof“GeneralNorthernPlayofSouthernQu’and‘‘SpecialNorthernPlayofSouthernQu’’inanefforttoanswerthequestionofwhat‘NorthernPlayofSouthernQu”reallymeansInthispaper’“North

5、emPlayofSouthernQu’wasstudiedinabroaderhistoricalcontextbyhighlightingtheroleithadplayedintheinteractionofQubetweenthenorthandthesouthIntheend，theauthorconcludedthat‘NorthernPlayofSouthernQu’，alegacyofculture，isnotaresul