晚清碑、帖書(shū)法美學(xué)思想比較研究.pdf

1、西南大學(xué)碩士學(xué)位論文目錄摘要..................................................................……lAbstract.................................................……，......……11文獻(xiàn)綜述..…，.....................................................……1緒論.

2、................................……，.........................……31.關(guān)于選題....……、..................................……，.....................................................................……32.物質(zhì)之“碑”、“帖”與風(fēng)格之“碑”、“帖”............

3、...……，...................................……，…42.1“碑”、“帖”的本義.........................................................................................……52.2“碑”、“帖’，概念的泛化與模糊.........................................……52.3從風(fēng)格

4、上區(qū)分—“碑派”之“碑”與“帖派”之“帖”...............……，....……72.4“碑”、“帖”范圍及定義..............................................................................……123.研究方法及說(shuō)明..........................……，二，.…，.…，，，…，，，.……，.....................

5、.……，...........……13第1章著眼干點(diǎn)畫(huà)的審美比較...........……，..........................……11.1豐實(shí)與虛和....................................……，........................................……，..…，...……，，，，…‘二，…11.1.1豐實(shí).............................

6、.....................................................................................……11.1.2虛和..............……，.........................................……，......................……，................……71.1.3小結(jié).............

7、..……，…，...........……，..........……，...................................................……111.2厚重與飄逸..........................................................................................................……，.…121.2.1厚重...

8、.............................................................................................................……121.2.2飄逸....................................................................................................

9、............……181.2.3小結(jié)..............................................................……、...........................................……20第2章著眼干字形結(jié)構(gòu)的審美比較.................……，...............……212.1茂密與疏朗.......................

10、........................................................................................……212.1.1茂密...........................……，....................................................................……，...……212.1.2疏朗......

11、..........................................................................................................……222.1.3小結(jié)，...........................……，........................................................................

12、.....……262.2方整與圓美.............................................................................................................……272.2.1方整...................................................................................

13、.............................……272.1.2圓美...........................……、.……，......................................................................……312.1.3小結(jié).................................................................

14、...............................................……34第3章著眼于風(fēng)神的審美比較...........................................……353.1縱逸與含蓄.....................................................................................................

15、..........……353.1.1縱逸.，二，，，.…，.................……，...……，..................................................................……353.1，2含蓄..…，.，.，，…，二，.，，..…，，.…，，，................................……，..........................

16、..........……423.1.3小結(jié)..............……，，，..…，…，.…，.，，，.……，.，，..…，…，，.....……，二，..............................……433.2妞動(dòng)與靜穆...................................……，.…，.....……，.......……，，……，..…，…，，...................……433.2.1一妞動(dòng)

17、...............................................................……，...……，…，..............……，...……，…433.2.2靜穆......................................................................................……，...................……483

18、.2.3小結(jié)................................................................................................................……51結(jié)論..........……，...............................................……53參考文獻(xiàn)............................

19、.................................……56致謝..........................................................……，……59西南大學(xué)碩士學(xué)位論文ComParativeResearchonAestheticalIdeologyofBeiSehoolTieSchoolinLateQingDynastyGraduatestudent:ZhangYunjiTut

20、or:CaoJianProfessorAbstraCtThisthesis15abouteomParativeresearehonesthetiealideologyofBeisehoolandTieschoolinlateQingD戶asty.ThelateQingDynasty15anePitomizingPeriodofstone一inseriPtionstudiesdeveloPme爪，inwhiehwhether“Venera

21、tionofBei，，or“VenerationofTie，，tumediniofoeusoffiercedebate.Andthesubstaneeofdebate15duetoeonfroniationofaesthetieconcePts.Thisthesis15心onstitutedofthreeehaPterswhiehseParatelyemPhasizesonthreelaysofstrokes，constructiona

22、ndverveofChineseeharacters.SixeouPlesofkeyword，filteredamongnumerousaesthetiewoulsfromlateQingDynastyealligraPhyliterature，seParatelyunfoldeomParisonbetweenealligraPhieaesthetieeoneePtsof“BeiSehool，，and“TieSehool，，，tofin

23、dtheeommonanddiffereneebetweenthemaswellasdeePsoeialandidealistiesoureehiddenb比indtheeommonanddifferenee.Throughreseareh，it15foundthataesthetieconeePtsof“BeiSchool，，and“TieSchool，，arenotdiametricallyoPPosed，buttheyhaveal

24、otincommon.AndthedifferencemainlyliesinthefollowingthreeasPects，distinetextraemPhasisonaesthetiestyle，differentlocationsofaesthetiestylefet即eandProPortionsofvariousaesthetiestyles.Theseeommonanddiffereneeofaesthetieeonce