從精英走向大眾——論90年代以來中國紀(jì)錄片審美形態(tài)的演化.pdf

1、東北師范大學(xué)碩士學(xué)位論文從精英走向大眾——論90年代以來中國紀(jì)錄片審美形態(tài)的演化姓名：劉軼申請學(xué)位級別：碩士專業(yè)：廣播電視藝術(shù)學(xué)指導(dǎo)教師：關(guān)大我20050501AbstractnlispapersettlestheevolvementoftasteformsofChinesedocumentaryfrom1990stostatetheculturalsignificanceofthedocumentary’Stransitionfrom

2、elitestothecommonaltyandtostudythementalconnotationwhichisappliedincommonaltydocumentaryunderthemultidimensionalbackgroundofthepost—modemTherearethreesectionsifit：First：thetasteformsofthenewdocumentarymovementanddocument

3、aryelitesfrom1990sAttheendof1980s，thenewenlightenmentresultedintherisiIlgof‘5aewdocumentarymovement’’whichsupportedbytheattitudetowardselitesin1990sandtheaffmrsmtingstrategyofthenewdocumentaryoversetthetraditionalmodelof

4、‘picturesandcommendatory”InadditiontheChinese—orientedtheartofcurrentaffairbroughtthegreatchangeintheaspectsofthestandpoint，visRlalfieldandthesphereoftheutterancewhichWasbeingspreadfrominsideandoutsideofthesystem，provoki

5、ngthefirstprosperityofChinesedocumentarydevelopmentIndividualizedstating—pattemfordocumentaryofelites，whichhasthevideoandintuifionistiequalityofvideosignals，hascomeforth‘Second：thetasteformsofcommonaltyculturemovementand

6、commonaltydocumentaryin1990sInthemiddleof1990sthecommonaltyculturesprangoutandthecommonaltydocumentarywasofvitalityTVstationsweregoingintothecommercialoperationoftheprogramswitllthedevelopmentofthemarketizedeconomicstrat

7、egiescommonaltydocumentarylivingontheformsofcolumnweregettingintothecomertherefore，thenewaffairstatingformofdocumentaryWasgoingintomaturityembodyingthesystemseparationtotheoldideology1葡rd：Themulti—dimensionaltasteformfor

8、thecommonaltydocumentaryin2000sTlecommonaltydocumentaryintheearlyyearsof2000shasshownthepostmodemtastefeaturesofentertainmentization，mundanizationandthenewmultidimensionalpatternofChinesedocumentarywiththecommonaltydocum