簡介：重慶大學碩士學位論文電視調(diào)查性報道的媒介藝術(shù)特征分析以央視新聞調(diào)查為例姓名李華申請學位級別碩士專業(yè)廣播電視藝術(shù)學指導教師楊尚鴻20090601ABSTRACTINVESTIGATIVER印ORTINGISALINDOFAUMORITA【TIVEREVEALINGRELORTINGFOMW11ICHREPORTERSINVESTIGATEMOMU礎Y趾DSYSTENLATICALLYFORME腳OSEOFREVEALINGME肌MBEC卸SEOFTLLE緲ATERINNUENCE，ITAJWAYSPARTICIPATESIILPOLITICS，OBSERVESSOCIE哆ANDKE印SWATCHOVERTHESOCIE毋1’11IS妯1DOFREPONINGBECOMES趾IMPOMMTFOMOFNEWSREPONING乒ADUALLY，WILICHHAVEBECOMEASIMPO舳T嬲INTEQPRETIVEREPORTING，OBJECTIVEREPORTINGARLDO場ECTIVER印ONING，NOTOLLLYIILC11II塢BIITIN、ⅣESTEMCOUNL矗ES嬲、ⅣE11TLLISANICLETAL【ESNLE’Ⅳ證VESTIGATIONREPORT嬲THEOBJECTOF咖DY，觚DFOCUSESONME跚PERIORI鑼“S刪MTINGMEDIAISUILABLET0COMPAREWILICHITSUSEOFTLLESEEINGANDHEARINGLALLGUAGE，F(xiàn)INALLY，IDISCOVEREDTHATTELEVISIONISMEDI啪ARTCHARAC鋤STICIS恤ILLLPORT鋤TA嘶BUTEWHICHT11ETVINVESTIGATIONREPORTOBTAJNSSUCCESS11LEAUTLLORTAL【ESNEWSPMBEWMCHCONSIDEREDTLLEMOSTSUCCESS如LTVINVESTIGATIONR印ORTIILCLLI】唿0FCOLUNMCCTVASACASE，LLSES吐LEOVERL印PING觚GLEVIEWOFINVESTIGATIVEREPONINGBET、ⅣEENJOURNALISMTHEO巧觚DTHEBMADCALSTTELEVISIONART吣T0A砌YZESYST鋤ATICALLYHOWT0向1LYEXCAVATEANDUTILIZETELEVISIONMEDIUMCHARACTERISTIC趾DSEEINGARLDHEARINGLAILGUAGEART雒T0COMPLETCSTLLETVIIⅣESTIGATIONRCPORTWMCHITSTELEVISIONPROGRAMBECOMEMOREAILDMOREIMPORT觚T丘。OMT11E弱PECTSOFLENS1A119UAGE，REALISTICAESMETICS，JO啪ALISTONC鋤E地NARRATLVE砒KQ唧ORDSTVINVESTIGATIVEREPORTIILG，TELEVISIONMEDIUMCHARACTERISTIC，TELEVISIONARTⅡ

簡介：東北師范大學碩士學位論文東北電視藝術(shù)中的本土化性格內(nèi)涵姓名王繼陽申請學位級別碩士專業(yè)廣播電視藝術(shù)學指導教師王以寧20061001ABSTRACTWITHTHEDEVELOPMENTOFTVARTINCHINA,THETVARTOFNORNLEASTHAVEGROWNUPASORTOFSPECIALARTFORM．ANDITBECOMEVERYFAMOUSINTHEWHOLECOUNTRY,THEORIGINOFTVARTOFNORTHEASTIS“ERENZHUAN’．ATRADITIONALFOLL【ANPOPULATINGINTHISREGION．MANYTELEPLAYSANDTVPROGRAMSATEBECOMINGPOPULARALLOVERTHECOUNTRY．SUCHAS，，，，．THESETELEPLAYSARESOAMUSINGTHATAUDIENCERATINGSGETUPTOHIGHVERYQUICKLY．THEVIEWPOINTOFPAPERTHINKSTHATTHETVARTOFNORTHEASTPRESENTSSPECIALCULTUREOFREGION．ANDTHECULTUREISCREATEDBYCHARACTERSOFNORTHEASTEMER．ITISCOMPOSEDBYTHEMULTIRACIALCULTURE,THESPECIALSITUATIONANDTHEEXTRAORDINARYHISTORY．WITHTHEESPECIALCHARACTER,THETVARTOFNORTHEASTISDEVELOPING．SOMANYHUMORISTICTELEPLAYSARECREATED．BECAUSEITBASEDONTHELOCALARTFORM，THETRADITIONALARTOFNORTHEASTISACCEPTEDBYMOREANDMOREPEOPLE．INTHEFUTURE，THETVARTOFNORTHEASTWILL曲TAINMOLEACHIEVEMENTSANDDEVELOPMENTS．KEYWORDSTVARTOFNORTHEAST一LOCALCULTURECHARACTERIL

簡介：R7717S5學校代碼10246學號012013054論作為失眾媒介的電影電視一兼論電影電視分級制院系所新聞學院專姓業(yè)名新聞學潘帆指導教師黃芝曉教授完成日期2004年9月30日文學論大位曰一繁飯士頂ABSTRACTWITHTHEINTENSIFICATIONOFGLOBALIZATIONANDTHEFORMINGOFGLOBALLYUNIFIEDCULTURALMARKET，REGARDEDASDAILYINFORMATIONSOURCEANDAMUSEMENTTOOLATFIRSTMOVIE＆TVBECOMESTHEIDEOLOGYTOOLTHATDIRECTSPUBLICOPINIONSANDPERMEATESVALUESDAYBYDAYTHISTEXTSTARTSWITHTHECONCEPTOFGLOBALIZATIONANDDISCUSSITSIMPACTONBOTHCULTUREANDMOVIE＆TVINDUSTRYANDTHENINTERMSOFMASSCOMMUNICATIONTHEORIES，THISTEXTPROBESINTOHOWTHEWESTERNMOVIE＆TVINDUSTRYREALIZEITSMEDIAHEGEMONYUNDERTHEBACKGROUNDOFINDUSTRIALIZATIONANDGLOBALIZATIONTHISTEXTALSOSTUDIESCURRENTSITUATIONANDTHEDEVELOPMENTOFOURMOVIE＆TVINDUSTRY，ANDAPPROACHESTOSONICFUNCTIONALLYDEFECTSANDSOMEQUESTIONSINBASICCONSTRUCTIONINOURPAOVIE＆‘FVINDUSTRYKEY、、’ORDSGLOBALIZATION，MASSMEDIA，MEDIALLCGEMONY，CLASSIFICATIONSYSTEMOFMOVIE＆TV2

簡介：THERESEARCHOFINTERVIEWMETHODWHICHBASEONCOLUMNRIZATIONTVPROGRAMTAKEVISITINGGRASSROOTSUNIT“，S_RTLIFE“，”VISITAGAIN“ASCASEADISSERTATIONSUBMITTEDFORTHEDEGREEOFMASTERCANDIDATEYAOYANNASUPERVISORGAOHONGMINGCOLLEGEOFMATHEMATICSSCIENCESHANGHAINORMALUNIVERSITY，SHANGHAI，CHINAAPRIL2012摘要最早的記者獲取信息主要靠的是文獻和公共演講。在美國報業(yè)近300年的歷史中，采訪只是新晉的發(fā)明，但它的作用卻日益凸顯。自從有了電視采訪，訪談的內(nèi)容越來越成為一檔電視節(jié)目的精髓，訪談的內(nèi)容因為更加真實、客觀，所以更具有說服力，是絕大多數(shù)節(jié)目重點呈現(xiàn)的部分。無論是新聞采訪類、文化娛樂類、文獻紀實類的訪談節(jié)目，都離不開訪談內(nèi)容，雖然最初這種方式并沒受到應有的重視，但據(jù)可靠統(tǒng)計，記者掌握的信息中，有75％一80％都來自采訪。訪談方法在不斷演進，隨著電視節(jié)目的頻道化、欄目化，各個不同的節(jié)目類型、形式也相對固定化，模式化，訪談也因不同類型的欄日產(chǎn)生不同方法，呈現(xiàn)出不同的特點。因此，基于不同類型欄目的特點，研究一些有針對性的訪談方法具有一定的實用價值。本論文以近年比較熱門的“欄目化”電視節(jié)目中的訪談方法為研究對象。以新春走基層、藝術(shù)人生、重訪為例，分別從新聞紀實類、文化娛樂類、歷史文獻類三個類型進行特點分析。以三個欄目化的電視節(jié)目的經(jīng)典視頻為研究對象，首先分析三類欄目化電視節(jié)目的特點，針對各自的類型，以其中訪談的方法為研究內(nèi)容和目標，選取成功采訪案例進行研究借鑒，對相對失敗的采訪案例進行指正和批判。根據(jù)不同欄目的訪談節(jié)目的訪談特點，總結(jié)出通用型訪談方法和特殊針對性的訪談方法。以供新聞記者、訪談者、主持人等參考借鑒。關(guān)鍵詞欄目化電視節(jié)目訪談方法

簡介：湖南師范大學碩士學位論文敘事與符號的魅力中國電視談話節(jié)目藝術(shù)探微姓名李滔申請學位級別碩士專業(yè)新聞學指導教師田中陽20060501■，●ABSTRACTASANEWBOOMINGANDDISPUTABLETVPROGR鋤，TVTALKSHOWHASBEENCONCEMEDBYTHEACADEMIAANDTHEJOUMALISTICCIRCLESTHOUGHSCHOLARSHAVEDONEMUCHRESEARCHINGWORKINTHEFIELDSOFTALKSHOW’SGROWUPREASONSORTHEDEVELOPINGMETHODS，MESE1ITERATURESARE仔AGMEMARY。THEYNEEDCOMPREHENSIVESURVEYANDSYSTEMICCONSIDERATION。0NTHEBASISTHATTVTALKSHOWISESSENTIALLYALDNDOFNANATION，ANDITSCOMMUNICATIVEFEATURESOFSOUNDANDVOICEMAKENON一1INGUISTICSIGNSPLAYAMAJORROLEINTALKSHOWS，WEDECIDETOADOPTNARRATOLOGYANDSEMIOTICSTODEEPLYANDCOMPREHENSIVELYANALYZETHENARRATIONANDNON一1INGUISTICSIGNSINTALKSHOWPROGRAMSINTHEFIRSTCHAPTERT11EFIVEBASICFONNSOFTVTALLSHOWWEREMAINLYMENTIONED行OMTHEASPECTOFACADEMYBESIDES，THEDEVELOPMENTANDMESOCIAL一CULTUREBACKGROUNDSOFTVTALKSHOWWEREALSODISCUSSEDINTHEF0110WINGSECONDCH印TER，NARIATOLOGYWASADOPTEDTOSTUDYTVTALKSHOWSTHROU曲TEXTUALANALYSIS，WEPOMTEDOUTHOWMEFUNCTIONS，SETTINGSANDTIMEOFNARRATIONWERESHO、VNONTVASTVTALKSHOWISAKINDOFSPECIALANDSPATIOTENLPORALNANATIONASAPRACTICALMETHODOLOGY，NARRATIONANDSIGNALMOSTOCCURREDATMESAMETIMEINTHET11IRDCH印TER，WEMAINLYMAKEOUTMEMEANINGSOFSCENE巧，1I曲TS，MUSIC，ANDPROPSFURTHERMORE，WEFOUNDOUTHOWTHESESIGNSBECOMEANAIDFORT11EINFOMATIONTRANSMISSIONDURINGACONVERSATIONFINALLY，WECAMETOTHECONCLUSIONTHATT11EREWERESTILLMANYDISADVANTAGESINTVTALKSHOWSWBSHOULDNOTONLYMAKETHETOPICMOREPLOT，BUTDEEPEN也ECULTUREMEANINGSOFSIGNSWETRIEDTOCOMBINENARRATIONWITHSEMIOTICSAUTOMATICALLYONONEHAND，WESTUDIEDHOWTOIIR【1ROVENARRATIONUSINGNONLINGUISTICSIGNS；ONMEOTLLERHAND，WEDISCUSSEDHOWTOEXPLAINTHESIGNS’CULTUREMEANINGSBYMEANSOFNARRATIONASARESULTWEHOPETOMAKETHEO叫RESEARCHGOBACKTOTHEPRACTICELEVEL。KEYWORDSTV‘RALKSHOW，NARRATION，SEMIOTICS，COMMUNICATIONFEATURE

簡介：蘇州大學碩士學位論文劉郎江南系列電視文化藝術(shù)片研究姓名顧斌申請學位級別碩士專業(yè)傳播學指導教師倪祥保20030401劉郎江南系列電視文化藝術(shù)片研究英文提要ASTUDYONCULTURALARTTELEVISIONSERIESBYLIULANGABSTRACTTHISPAPERATTEMPTSTODISCUSSCULTURALARTTELEVISIONSERIESDIRECTEDBYLIULANGFROMTHEPERSPECTIVEOFTHERELATIONBETWEENCULTUREANDARTITHASBEENDIVIDEDINTO3PARTSPART1，F(xiàn)IRST，INTERPRETSAPHENOMENONCALLEDLIULANGPHENOMENONTHROUGHANINTRODUCTIONOFLIULANGTHISBACKGROUNDINFORMATIONEXPLAINSHOWANDWHYHISPARTICULARSTYLECOMESINTOBEING，THENTHISPARTMAKESANEFFORTTOMAKEITCLEARTHATREGIONALCULTUREISOPENNOMATTERWHEREHEWASBORN，HECANTALKABOUTCHINESECULTUREANDCHINESEARTINCHINESEWAYSOLONGASHEHASABETTERUNDERSTANDINGOFCHINESECULTUREANDGOODPERCEPTIONTOARTPART2FOCUSESONANANALYSISOFTHECHARACTERISTICSOFHISFILMSINOTHERWORDS，THEMETHODSTOCREATEPOETICFLAVOURANDARTISTICCONCEPTIONASWELLASTHEGLAMOURTHEMOSTSTRIKINGFEATUREOFHISFILMSISPOETICARTISTICCONCEPTIONWHICHHASACHIEVEDBYANEMPLOYMENTOFSELECTION，EDITIONOFTABLEAU，NARRATION，ANDMUSICANDINTERWEAVING‘PICTURE’’WITH‘‘。FEELING’’OR“FORM”WITH‘‘SOUL”THECONCLUSIVEPARTCENTERSONTHEDEEPCULTURALEXPLORATIONANDPHILOSOPHICTHINKINGEMBODIEDINTHEFLOWERYLANGUAGEANDAESTHETICIMAGESINHISFILMS，TOPOINTTHATHISCREATIONHASBOTHPERCEPTUALANDRATIONALCHARACTERISTICSANDSTYLEKEYWORDSLIULANG，TELEVISIONSERIES，POETICFLAVOURPHILOSOPHYⅡWRITTENBYGUBINSUPERVISEDBYPROLNIXIANGBAO

簡介：東北師范大學碩士學位論文“學研產(chǎn)合作”教學模式在廣播電視藝術(shù)人才培養(yǎng)中的應用研究姓名張慧鑫申請學位級別碩士專業(yè)廣播電視藝術(shù)學指導教師王稼之20080501ABSTRACTSINCETHE2LSTCENTIU％THEC11INESEGOVE加衄EMLLASBEENPAYIILG伊EATATTENTIONT0ⅡLECOURSEOFPUBLIC時A11DALSOMIE礎IVATION0FCON腳血CATIONTALE吣，鋤DH朗CETHE址曲EREDUCATIONOFFIHA11DTELEVISIONARTTLASAROUSEDAWIDER孤培EOFATTENTIONNOTOLDYFROMDOMESTICACADE血CMEMBERSAILDEVEN丘0M血E州HOLES0CI奶，11圮MAIOROFRADIOA11DTV1IRECTILLGW私F0Ⅷ【DEDINNOMLEASTNOMLALUILIVCIRS毋OFCTLI嗯IIL2000INMARCH2004，MEULLIVERS蚵印PLIEDAPR∞ECTOFBLLILDINGASTUDYRESEARCHPRODLLCTION訪TERACTIVEEDLLCANONSYSTEIILIILTHEM句OROFRADIO趾DTVDIREC血GANDHOSTII培，W11ICHH嬲PROGRESSEDSO咖CHTHESEDAYSNLATIILSETTINGC0URSESF0R鏟AMIATES，INBACHELORS’COINVENTIONAFTER鏟ADUATION，THEPROJECTL瑚GAILLEDSOMEOUTCOMESAILDHASPMTHEM缸OPRACDCEATPRESEM，HOWEVER，ITFOCLISES0NⅡLESTUDYANDAPPLICATIONOFRESEARCHANDPRODLLCTIOIL，ANDALSOONTE妣GSARLDPRACTICEINPOST黟ADUA把S，NLISARTICLEWMCHSTARTS丘DMTHEUILIONOFRADIOTELEVISIONARTEDLLCATIONAILDⅡLESTUDYRESEARCHPRODUCTIONP刪E鷗B勰EDON也ERELATEDME嘶ESINEDUCATIONAILDPSYCHICS，HASAILALYZEDTHESNJDYRESEARCHPRODUCTIONCOOPERATIONTEACHINGSTYLE，A11DIPERSONALLY鋤BOLDENOU曲T0MAKEA10TOFADV鋤加ROLLS觚DYETREASON蜀LBIEHYPO也ESIS缸LDDISCLLSSIOILSINITIHAVEAPPLIEDSEVERALRESEARCHM“HODSSUCH硒ANALYZIILG，A11ALOGUE，DEDUCTIONANDSOONFIRSNYIPUTF0刑ARDTHEACADELILICDEFMITION0F也ESTILDYRESEARCHPRODLLCTIONTE拋GS鑼LE，DISCUSSIILGMERELATIONSLLIPOFT11EMTHREESECONDLYIBRIEFTLLECHAR刪STICSOFRADIOTELEVISIONARTSUBJEET，COMBINII馮也EGTUDYRESEARCHPRODLLCTIONTEACLLINGS眵LEWIMIT，ARLDTLLEREFORECONCLUDETILEAPPROPRIATETEACHINGS夠LEANDPRACTICAL印PLICATIONWAYIILTHISM萄ORFILLALLY，ISUMMONT0EXERTTHESPECIALADVANTAGESOFOURNOMLALEDUCATION，AILDAS鯽ME脅TWESH甜1CULTIVATECOMPREHENSIVEARTTALENTS，INHOPESOFO丘宅RINGSOMEGUIDANCCT0TLLESUSTAILLEDDEVELOPMENTOFT11EARTMAJORIILNOMLEASTNO姍ALU11IVERSI夠OFCLLILLAKEYWORDS吣RESEARCHPRODLLCTIONC00PEMTION；咖DYRESEARC舡PRODUC；TIONCOOPERATIONTEACHH培STYLE；RADIO趾LDTELCVISIONANSLIBJECTEDLLCATIONⅡ

簡介：學校代碼幽分類號咝00IR0二研究生學號10200200721876密級玉⑧東牡JIF予葒大莩碩士學位論文電視深度調(diào)查類節(jié)目中影視藝術(shù)表現(xiàn)手法的研究一一以央視新聞調(diào)查為例TVDEPTHSURVEYCLASSFILMANDTELEVISIONPROGRAMSOFARTISTICEXPRESSIONCCTVINVESTIGATIVEJOURNALISMASANEXAMPLE指導教師學科專業(yè)研究方向?qū)W位類型作者佟燕玲孫寧教授廣播電視藝術(shù)學數(shù)字媒體藝術(shù)學歷碩士東北師范大學學位評定委員會2010年5月獨創(chuàng)性聲明本人鄭重聲明所提交的學位論文是本人在導師指導下獨立進行研究工作所取得的成果。據(jù)我所知，除了特別加以標注和致謝的地方外，論文中不包含其他人已經(jīng)發(fā)表或撰寫過的研究成果。對本人的研究做出重要貢獻的個人和集體，均已在文中作了明確的說明。本聲明的法律結(jié)果由本人承擔。學位論文作者簽名工量墼絲日期學位論文使用授權(quán)書本學位論文作者完全了解東北師范大學有關(guān)保留、使用學位論文的規(guī)定，即東北師范大學有權(quán)保留并向國家有關(guān)部門或機構(gòu)送交學位論文的復印件和電子版，允許論文被查閱和借閱。本人授權(quán)東北師范大學可以將學位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫進行檢索，可以采用影印、縮印或其它復制手段保存、匯編本學位論文。保密的學位論文在解密后適用本授權(quán)書學位論文作者簽名幽日期ⅫF壁S猻學位論文作者畢業(yè)后去向工作單位通訊地址指導教師簽名盟日期也12＼電話郵編

簡介：東北師范大學碩士學位論文對話與迷失一種電視藝術(shù)范式的審美文化思考姓名敖柏申請學位級別碩士專業(yè)廣播電視藝術(shù)學指導教師王以寧20070501ABSTRACTTVAESTHETICCULTUREMEALL5THEHISTORYANDAESTHETICCONSIDERATIONOFSOCIALCONTEXT，PRODUCTIONCONSUMPTIONMECHANISMANDINTERTEXTUALITYESTABLISHINGTHEAESTHETICVALUEINORDERTOFEEDTRUEDESIRE，SHAPEWHOLESOMESELFHOODANDQUESTPERMANENTSPIFIT．THEARTICLEISARESEARCHABOUTAESTHETICREGULATION．CULTUREINDUSTRY,RATEDIRECTIONOFPRODUCTION／CONSUMPTIONANDINTERTEXTUALITYBASEDONCONTEMPORARYTVTALKSHOWEXPECTEDTOFINDTHECONTEXTDISTINCTIONPRINCIPLE．AESTHETICVALUEDIRECTIONANDTVECOLOGYIMPROVEMENT．KEYWORDSAESTHETICCULTURE；TVINDUSTRIALIZATION；AESTHETICVALUE；ARTECOLOGY；INTERTEXTULITYⅡ

簡介：河北師范大學碩士學位論文聲樂藝術(shù)在電視節(jié)目主持人中的應用研究姓名孫婧申請學位級別碩士專業(yè)音樂學指導教師王磊20090901ABSTRACTVOCALMUSICARTTAKESARTISTICONEKINDOFMANIFESTATION，MAYFUSEMUTUALLY、析THMANYKINDSOFARTISTICFORMDISPLAYSITSUNIQUERESOURCESSUPERIORITYOPENSDAYBYDAYINTHESOCIETYTODAYWHICHANDPROGRESSESUNCEASINGLY，THERAPIDDEVELOPMENTTELEVISIONBUSINESSALREADYBECAMETHEPEOPLETOLIVETHEINDISPENSABLEIMPORTANTCONSTITUENTINCREASESDAYBYDAYALONG、，ITLLTHETELEVISIONPROGRAM，THETELEVISIONMEDIAALSONEEDSTOPROFITFROMOTHERARTISTICCLASSTHECHARACTERISTIC，RAISESHASTHEINDIVIDUALITY、HASTHECHARACTERISTICTELEVISIONPROGRAMDIRECTORSIMILARACHIEVEMENTPRONUNCIATIONWORKER，IFVOCALMUSICARTCANMOREAPPLYINTHETELEVISIONPROGRAMDIRECTOR，DISPLAYSITSUNIQUESUPERIORITY，WILLPROVIDEABROADERSPACEANDTHESTAGEFORTHEVOCALMUSICARTANDTHEVOCALMUSICARTPERFORMERTAKINGTHISINTOCONSIDERATION，THISARTICLEFROMVOCALMUSICDETAILSANDSOONARTANDTELEVISIONPROGRAMDIRECTORSPRODUCTION，DEVELOPMENT，CLASSIFICATIONDIFFERENCEWILLEMBARK，DEVELOPMENTVOCALMUSICARTANDTHETELEVISIONPROGRAMDIRECTORDEVELOPUNTILNOWHISTORICALPATHANDRESPECTIVEDEVELOPMENTPRESENTSITUATION；THENINCORRELATIONEXPERT，INSCHOLARRESEARCHRESULTSFOUNDATION，UNIFIESTHEONESELF7YEARSTUDYVOCALMUSICSPECIALIZEDEXPERIENCEASWELLASFOR6YEARSISENGAGEDINTHETELEVISIONPROGRAMMANAGEMENTWORKTHEINTIMATEUNDERSTANDING，TOTHEVOCALMUSICARTSTANDARDPRONUNCIATION，THEGOODBREATH，THEMODERATESYMPATHETICCHORD，THECARRIAGELANGUAGE，THEEMOTIONEXPRESSIONANDMAKETHETHOROUGHCAREFULANALYSISANDTHERESEARCHTOTHEWORKTWODEGREESCREATIONSINTHETELEVISIONPROGRAMDIRECTOR’SAPPLICATION；ATTHESAMETIME，THEQUESTIONANDTHESOLUTIONANDTHETELEVISIONPROGRAMDIRECTORWHICHEXISTSINTHETELEVISIONPROGRAMDIRECTORAPPLICATIONPRONOUNCESTHEQUESTIONHOWTOTHEVOCALMUSICARTWHICHINTHEPROCESSEXISTSANDUSINGTHEVOCALMUSICARTCARRIESONTHESOLUTIONTOMAKETHEFURTHERELABORATIONANDTHEDISCUSSIONITSOBJECTIVELIESIN，CANLETTHEVOCALMUSICARTPERFORMERINTHEINTENSESOCIALCOMPETITIONDEVELOPABROADERDOMAIN，ADAPTSMOREPOSTS，LETOURVOCALMUSICENTERPRISERICHERVIGOR、THECHARM、THEVITALITYKEYWORDVOCALMUSICARTTELEVISIONPROGRAMDIRECTORAPPLLEDRESEARCHIV

簡介：點擊查看更多電視述評主持人的點評藝術(shù)——以《焦點訪談》為例.pdf精彩內(nèi)容。

簡介：＼1089014學校代碼19475學號104753040484河南大學研究生碩士學位論文ASTUDYOFTHECONVERSATIONALCHARACTERISTICSOFTHETVTALKSHOWARTISTICL／FE藝術(shù)人生電視談話節(jié)目的會話特點研究專業(yè)名稱旦堡主堂壟生旦堡主芏專業(yè)代碼I研究方向堡里蘭年級三旦里竺研究生姓名導師姓名、職稱胡曉賢張克定教授完成日期二OO七年四月論文主題詞貅凡生F嘲螄I日膾話分神L構(gòu)話語分構(gòu)成，不同的會話背景及模式具有結(jié)構(gòu)上的不同特點。藝術(shù)人生欄目中的開端部分，招呼語、嘉賓介紹以及問候語．問候語相鄰對是每期節(jié)目必要構(gòu)成成分。另外，電視談話節(jié)目中的結(jié)束序列在日常會話固有的模式中是欠缺的，取而代之的是主持人表示感謝的結(jié)束語TEMII_,MTING，它代替了日常會話模式中禮儀性的告別語。同時，本文研究結(jié)果顯示，電視談話中的相鄰對遵循了日常會話中的規(guī)則，但在會話輪換的某些方面以及開端、結(jié)尾部分卻違反了日常會話規(guī)則。另外本文還顯示出藝術(shù)人生欄目本身鮮明的特征。由于其屬于機構(gòu)話語，即主持人與嘉賓之間各自的角色與任務的分配導致了其在會話結(jié)構(gòu)和功能上有別于日常會話。最后，研究藝術(shù)人生欄目的意義在于以上總結(jié)的會話機制為國內(nèi)其他的漢語談話節(jié)目提供了指導，從某種側(cè)面說，使國內(nèi)其他談話節(jié)目更能吸引觀眾眼球，讓觀眾更深入的了解這類節(jié)目，從而為同類節(jié)目的發(fā)展提供了借鑒意義，并且可以促使主持人在主持節(jié)目中的話語更精彩、更為合理。同時，我們也可以從會話分析的角度對漢語以及外國語電視談話節(jié)目作進一步的對比研究。關(guān)鍵詞藝術(shù)人生；電視談話節(jié)目；會話分析機構(gòu)話語

簡介：學校代碼10200分類號G22研究生學號Q星QQ窒QQZ星墾墨魚密級玉⑧東北JIF予冠大雪碩士學位論文電視電影制片運營模式與市場經(jīng)濟受眾群體關(guān)系的創(chuàng)新融合研究LNNOVATIVERESEARCHBASEDONTHEREIATIONSHIPBETWEENTVLNN0VATLVERESEARCNDASED0NTNEREIANONSNIPOERWEENLV＆FILMPRODUCTIONBUSINESSMODELANDMARKETECONOMYA¨DIENCE指導教師學科專業(yè)研究方向?qū)W位類型作者孫理王稼之教授廣播電視藝術(shù)學影視藝術(shù)學歷碩士東北師范大學學位評定委員會2011年3月摘要電視電影的起源追溯于上世紀的六十年代，起初的電視電影的制作目的就是滿足電視節(jié)目的播出，即為電視而存在的電影。這種由電視所衍生的節(jié)目形式至今已經(jīng)有了幾十年的歷史。在中國，第一部電視電影作品牛哥的故事別了，冬天于1999年走上了電視銀幕，一部電影作品在電視銀幕的播出無疑是中國電影界和電視界的一件值得紀念的重大事件，也是具有劃時代意義的歷史時刻。隨著影視藝術(shù)的不斷的發(fā)展，電視電影這門新興的藝術(shù)形式逐漸成為大家關(guān)注的新領(lǐng)域，一個介于電影與電視之間的新型產(chǎn)業(yè)模式逐步形成了自己規(guī)模，并且快速發(fā)展演變。在我國，電視電影至今經(jīng)歷的十余年的變化中，產(chǎn)業(yè)模式及制片運營模式的探究為中國電視電影長久發(fā)展將起到重要的推進意義。本文分五個部分。第一部分主要提出研究方法和研究價值。第二部分用歸納比較的方法研究中國電視電影從2003年到2008年的運營模式變化，并結(jié)合筆者自身參與的一部電視電影的拍攝入手，深入研究中國電視電影的制片運營模式。第三部從影視受眾的角度探索受眾群體對營銷策略的影響。第四部分分析了電視電影運營模式與市場經(jīng)濟受眾群體之間的關(guān)系。第五部分在對前文論證的基礎上從電視電影的自身形式、投融資方式、市場開拓、創(chuàng)新營銷方式等方面進行闡述，從而探索出一條適合市場經(jīng)濟受眾的新的營銷之路。關(guān)鍵詞電視電影影視受眾電視電影營銷

簡介：上海大學碩士學位論文完善電影產(chǎn)業(yè)鏈將電影電視化傳播東方電影頻道發(fā)展策略研究姓名吳廣馳申請學位級別碩士專業(yè)電影學指導教師任仲倫20060610上海大學文學碩士學位論文壘望竺璺璺墊蘭些竺型塑皇竺壁生璺業(yè)塑堡堡墨登堅竺塑里絲ABSTRACTTHESYSTEMREFORMOFTHEFILMINDUSTRYISAHOTSPOTINOURCULTUREINDUSTRYDEVELOPMENTASAVERYIMPORTANTTAEHEOFOURFILMINDUSTRYCHAIN，THEMOVIECHANNELISANINTEGRANTAPPROACHOFTHEFILMINDUSTRYSSPREADTHEMOVIECHANNELCANNOTONLYMAKESAFURTHERSPREADOFTHEOUTSTANDINGMOVIE，BUTALSOCANBEAPOWERFULENGINEFORTHEFILMINDUSTRY’SDEVELOPMENTINTERMSOFITSCOMMERCIALVALUESOMEOFOURMOVIECHANNELSARESTILLINTHEPRIMARY●DEVELOPMENTPERIODCOMPAREDWITHSOMEEXCELLENTFOREIGNMOVIECHANNELS，THEREARESTILLSOMEPROBLEMSINTERMSOFCHANNELORIENTATION，F(xiàn)ILMSOURGEANDINCOMETHISARTICLEMAKESACOMPREHENSIVECOMPARISONAMONGTHECCRVCHANNELMOVIE，SOMEREGLONALMOVIECHANNELSANDSOMEOUTSTANDINGFOREIGNMOVIECHANNELSINTERMSOFTHEIRACTUALITIESANDSPECIALTIESACCORDINGTOTHETWOANDAHALFYEARS’DEVELOPMENTOFTHEEASTMOVIECHANNELTHERECOULDBESOMEVERYUSEFULSTRATEGICADVICESFORTHEDEVELOPMENTOFOURMOVIECHANNELBYTHISDETAILEDCOMPARISONTHISARTICLEISCOMPOSEDOFFOURPARTSTHEFIRSTPARTFOCUSESONTHEDEVELOPMENTOFTHEEASTMOVIECHANNEL儆PARTSHOWSUSASUMMARIZEDCONDITIONOFITSCHANNELBACKGROUND，THECURRENTRUNNINGCONDITIONANDPROBLEMS；THESECONDPARTISACOMPARATIVEANALYSISBETW∞NTHENATIVEANDFOREIGNMOVIECHANNELSTHISPARTALSOOFFERSSOMEVALUABLEADVICESFORTHEFUTUREDEVELOPMENTOFTHEEASTMOVIECHANNELBYUCOMPARATIVEANALYSISAMONGTHECCTVMOVIECHANNELTHEWESTERNMOVIECHANNELTHECHANGCHUNMOVIECHANNEL，THEHBO，THECINEMAXMOVIECHANNELANDTHESTARMOVIECHANNELTHE‘THIRDPARTSHOWSUSTHEFUTUREORIENTATIONOFEASTMOVIECHANNEL；THELASTPARTISTHEEPILOGUEMEANWHILEITISTHECONCLUSIONOFTHISARTICLEKEYWORDSMOVIECHANNELDEVELOPMENTS們TEGYTHEOPERATIONOFTHESPECIALIZEDCHANNELVL

簡介：湖南師范大學碩士學位論文電視調(diào)查性報道的敘事藝術(shù)探索以新聞調(diào)查為例姓名肖瀟申請學位級別碩士專業(yè)新聞學指導教師田中陽20080601ABSTRACTNARRATOLOGYISATHEORYTOSTUDYTHENARRATIVEWORKSANDTHENARRATIVEBEHAVIORSPECIALLYTVISTHEMOSTPOPULARNARRATIVEMEDIAINTHEMASSCOMMUNLCATLONHLSTORYIV一一●●‘月NRINVESTIGATIVEREPORTISTHEMOSTTYPICALANDMOSTINFLUENTIALNARRATIVEBEHAVIORINTVNEWSPROGRAMMES“NEWSPROBE”ISTHESYMBOLOFTVINVESTIGATIVEREPORTSINCHINAITISTHEHIGHESTPRODUCTIONSTANDARDSOFTVINVESTIGATIVEREPORTINCHINAINORDERTOANALYZETVINVESTIGATIVEREPORTWITHNARRATIVETHEORYTHOROUGHLY，THEPAPERPUTSEMPHASISONTHEEXAMPLESOF“NEWSPROBE”SO，COMBININGTHEORYWITHPRACTICE，ITCANLETUSUNDERSTANDTHECOMMUNICATIONRULESOFTVINVESTIGATIVEREPORT，ANDGUIDEUSTOUSETHETEXTOFTVBETTERCHINATVINVESTIGATIVEREPORTWILLBEMOREMATUREANDINFLUENTIALINFUTURETHISPAPERMAINLYDIVIDESINTOFOURPARTSTHEFIRSTPARTINTRODUCESNARRATOLOGY，TVINVESTIGATIVEREPORT，ANDTHEMEANINGOFUSINGNARRATOLOGYTOANALYZETVINVESTIGATIVEREPORTBRIEFLYWITHNARRATIVETHEORY，THESECOND，THIRD，F(xiàn)ORTHPARTSEXPLORETHETVINVESTIGATIVEREPORTINTHREERESPECTS‘。STORY’4。‘。DISCOURSESTRUCTURE’’?！?。NARRATORANDTHEAUDIENCE”THEANALYSISOF“STORY“FOCUSESONTHECHARACTERISTICOFSUBJECTS，F(xiàn)IGURESANDSTRUCTUREABOUTTVII