[雙語(yǔ)翻譯]家具設(shè)計(jì)外文翻譯--家具設(shè)計(jì)中的仿生學(xué)（英文）

1、 Procedia - Social and Behavioral Sciences 197 ( 2015 ) 2285 – 2292 Available online at www.sciencedirect.com ScienceDirect1877-0428 © 2015 Published by Elsevier Ltd. This is an open access article under the

2、CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of Academic World Education and Research Center. doi: 10.1016/j.sbspro.2015.07.255 7th World Conference on Educa

3、tional Sciences, (WCES-2015), 05-07 February 2015, Novotel Athens Convention Center, Athens, Greece Biomimicry in Furniture Design Filiz Tavsana, Elif Sonmezb* aKaradeniz Technical University, Faculty Of Architecture, D

4、epartment Of Architecture, Trabzon, Turkey bKaradeniz Technical University, Faculty Of Architecture, Department Of Architecture, Trabzon, Turkey Abstract Nature, is a big factory, where the faults are kept at a minimum,

5、 choosing the most suitable material of all for the purpose, recycling them, and even changing every ingredient as conditions impose. Biomimicry examined models in nature, then imitating these designs or taking inspira

6、tion from them which aims to provide solutions to people's problems is one of the new branches of science. From past to present many disciplines have produced designs and solutions inspired by the nature. Interior a

7、rchitecture is also one of the this disciplines. Interior design, interior, structure, comfort, and materials in furniture design, as well as the influence of these designs are carried out. Furniture has always been a

8、symbolic aspect of the life style and cultural richness of mankind. Form, structure or materials in the nature as used for furniture design both for aesthetic and practical purposes.In the study, designs were made with

9、 inspiration from macro and micro sized living beings in the nature. Within the concept of Biomimicry, furniture designs were made, which were inspired by both forms and structures in the nature and applied exactly. &

10、#169; 2015 The Authors. Published by Elsevier Ltd. Peer-review under responsibility of Academic World Education and Research Center. Keywords: Furniture design, Biomimicry, nature; 1. Introduction Nature has always been

11、 a source of inspiration for the human. Indeed, human met all his needs such as shelter, survival and protection in caves which were readily available in nature. It was only later that they built shelter for protection

12、 and defense. Therefore, we may conclude that human observed and tried to learn about natural forms and structures and needed shelter simultaneously. Designers have also observed how life proceeded in nature and began *

13、 Elif Sonmez. Tel.:+4-34-54-343. E-mail address: eliff_sonmez@hotmail.com © 2015 Published by Elsevier Ltd. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-n

14、d/4.0/). Peer-review under responsibility of Academic World Education and Research Center.2287Filiz Tavsan and Elif Sonmez / Procedia - Social and Behavioral Sciences 197 ( 2015 ) 2285 – 2292 ? The fact that the

15、leaves perform the greatest chemical process in the world by generating 300 billion tons of sugar each year photosynthetically (Benyus, 1997). Below we have offered only a few examples of such mechanisms and designs; s

16、hortly the concept of Biomimicry, which has been dealt with and popularized by Janine Benyus’ friends and other people interested in the subject since it was dealt with as a science by Janine Benyus. The field that was

17、 of particular interest to scientists and designers have begun to be realized consciously. Therefore, Biomimicry has turned into an attitude that is applied in numerous professions, yielding positive results (Kuday, 20

18、09). 3. Biomimicry in Design Derived from the stems “bios-life” and “mimesis-to imitate” and similarly used with “Biomimetic”, “Biomimesis”, “Biognosis” and “Bionic” terms, this concept is used in varios disciplines in r

19、esearches and studies towards developing more advanced technologies by “l(fā)earning from nature”. Biomimicry may also be translated into our language as “l(fā)earning by imitating the best ideas of nature” and has begun to be

20、 regarded as a new branch of science by embodying “l(fā)ikely solutions and solution potential in the nature” in various different disciplines and even through an interaction that integrates disciplines. “Thus, man who use

21、d to gain experience through observation of nature have begun to take lessons from nature as a means of comparison and an instructor beyond taking it a model” (Benyus, 1997). “Imitating the nature” has been a popular t

22、heme for centuries in almost every kind of art, social and science fields and now is resorted to in numerous disciplines including architecture, sculpture, painting, interior architecture and industrial design etc. to

23、find solutions. Observation, analysis and modeling the features of materials and forms in the nature including stability, lightness, resistance to dynamic and static loads, figural and structural properties enabling en

24、ergy saving, silence, self-repairing directed attention of many scientist to living and non-living forms in the nature. Therefore; Benyus thinks that a “biomimetric revolution” will happen in the following years if thi

25、s learning process is popularized in other disciplines” (Benyus, 1997). Interior architecture has also been influenced by increasing popularity of Biomimicry among scientific branches and materials and forms in nature h

26、ave begun to find themselves a place particularly in furniture design. It is no possible to see furniture samples influenced by microorganisms, plants or animal skeleton structure, designed precisely or amended and pro