阿魯秋年降a大調(diào)小號協(xié)奏曲結(jié)構(gòu)探析

1、 目 錄摘 要................................................................................................................................IABSTRACT...........................................................................

2、......................................... III前 言...............................................................................................................................1第 1 章 阿魯秋年及《降 A 大調(diào)小號協(xié)奏曲》相關(guān)簡介................

3、............................ 31.1 小號的發(fā)展.............................................................................................................31.2 阿魯秋年及其音樂作品簡介.......................................................

4、..........................41.2.1 阿魯秋年簡介..................................................................................................41.2.2 阿魯秋年音樂作品簡介..................................................................

5、................41.3《降 A 大調(diào)小號協(xié)奏曲》簡介............................................................................. 81.3.3《降 A 大調(diào)小號協(xié)奏曲》創(chuàng)作特點............................................................ 10第 2 章《降 A 大調(diào)小號協(xié)奏曲》結(jié)構(gòu)分

6、析................................................................ 112.1 序奏及呈示部.......................................................................................................122.2 展開部..............................

7、.....................................................................................182.3 插部.......................................................................................................................212.4 再現(xiàn)

8、部...................................................................................................................23第 3 章《降 A 大調(diào)小號協(xié)奏曲》主題旋律的分析.................................................... 253.1 旋律的發(fā)展手法...........

9、........................................................................................253.1.1 圍繞核心音波動............................................................................................253.1.2 直線式進行............

10、........................................................................................263.1.3 旋律的重復與模進........................................................................................283.2 主題材料的民族化特征............

11、...........................................................................313.2.1 主題在情緒、體裁、風格方面的特點........................................................313.2.2 旋律的民族化特征.................................................

12、......................................313.2.3 節(jié)奏特點........................................................................................................35第 4 章《降 A 大調(diào)小號協(xié)奏曲》和聲創(chuàng)作技法分析......................................

13、.......... 414.1 調(diào)式調(diào)性...............................................................................................................414.1.1 轉(zhuǎn)調(diào)手法的運用.........................................................................

14、...................424.1.2 調(diào)轉(zhuǎn)換的運用................................................................................................444.1.3 中古調(diào)式的運用............................................................................

15、...............454.2 和聲進行...............................................................................................................464.2.2 和聲模進的運用.....................................................................