論劉震云“說(shuō)話”系列小說(shuō)創(chuàng)作風(fēng)格——以一句頂一萬(wàn)句手機(jī)等作品為例

1、 曲 阜 師 范 大 學(xué) 研 究 生 學(xué) 位 論 文 獨(dú) 創(chuàng) 性 聲 明 曲 阜 師 范 大 學(xué) 研 究 生 學(xué) 位 論 文 獨(dú) 創(chuàng) 性 聲 明 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 本人鄭重聲明：此處所提交的博士□/碩士?論文《論劉震云“說(shuō)話”系列小說(shuō)創(chuàng)作風(fēng)格——以等作品為例》，是本人在導(dǎo)師指導(dǎo)下，在曲阜師范大學(xué)攻讀博士□/碩士□學(xué)位期間獨(dú)立進(jìn)行研究工作所取得的成果。論文中除注明部分外不包含他人已經(jīng)發(fā)表或撰寫的研究成果。對(duì)

2、本文的研究工作做出重要貢獻(xiàn)的個(gè)人和集體，均已在文中以明確的方式注明。本聲明的法律結(jié)果將完全由本人承擔(dān)。 作者簽名： 日期： 曲 阜 師 范 大 學(xué) 研 究 生 學(xué) 位 論 文 使 用 授 權(quán) 書 曲 阜 師 范 大 學(xué) 研 究 生 學(xué) 位 論 文 使 用 授 權(quán) 書 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 《論劉震云“說(shuō)話”系列小說(shuō)創(chuàng)作風(fēng)格——以等作品為例》系本人在曲阜師范大

3、學(xué)攻讀博士□/碩士?學(xué)位期間，在導(dǎo)師指導(dǎo)下完成的博士□/碩士□學(xué)位論文。本論文的研究成果歸曲阜師范大學(xué)所有，本論文的研究?jī)?nèi)容不得以其他單位的名義發(fā)表。本人完全了解曲阜師范大學(xué)關(guān)于保存、使用學(xué)位論文的規(guī)定，同意學(xué)校保留并向有關(guān)部門送交論文的復(fù)印件和電子版本，允許論文被查閱和借閱。本人授權(quán)曲阜師范大學(xué)，可以采用影印或其他復(fù)制手段保存論文，可以公開(kāi)發(fā)表論文的全部或部分內(nèi)容。 作者簽名：

4、日期： 導(dǎo)師簽名： 日期： Abstract II Abstract Liu zhen yun is an one of the most powerful writers in contemporary literary circles in our country. In the 80 s, he by “XinBingLian“, a ground chicken feath

5、er and other works and celebrity, but among the writers “new realistic novel“. Then “home“ series of novels, with country people life as the theme, and cater to the “history“ novels at that time, and classified as “new h

6、istorical novel“ authors. In many novel liu zhen yun, we can always find a writer the way of “speak“ the language of the novel. At the same time also can understand the writers pay special attention to “speak“ the langua

7、ge of the novel, and constant innovation of language. The theme of zhenyun liu's novel the changing process of “official“, “home“, writer also boldly try novel “speak“ the language of change, thought other authors of

8、fer a new way of narration. In liu zhen yun“speak“ series of novels, the writer research content are mainly concentrated in history, hometown, power, human nature, and so on, and through the rural poor reveals that the C

9、hinese people have “one thousand years of solitude“. At the same time, the writer in “speak“ narrative has its unique charm, author of the novel characters in “human nature“ in the struggle, the writer focus on little li

10、fe situation, reveals the reason for difficulties in people's life. This thesis mainly studies liu zhen yun style of “speak“ series of novels. Respectively from the four most were studied. The first part of introduct

11、ion, clarify the research object and research significance, and research on this topic the theory premise, and explore the current research of the status quo. The second part of liu zhenyun liu novel “speak“ narrative ch

12、aracteristics, this chapter from “speak“ the narrative of spatio-temporal crisscross, fatalism “speak“ narrative, simple and complex “speak“ four aspects in this narrative. The third part of liu zhenyun liu novel “speak“

13、 style and language features, from the novel “speak“ style and the language of the novel function, analysis of the novel language features, rhetoric, etc. Part iv liu zhen yun lonely image and connotation of the novel, f

14、rom the novel image of loneliness and novel connotation, expounds the causes of the formation of novel lonely figure image, novel to explain the life of the people of poor state, the characters of “human nature“. Key wor