維瓦爾第與莫扎特兩首大管協(xié)奏曲的比較研究

1、 維瓦爾第與莫扎特兩首大管協(xié)奏曲的比較研究 目 錄 摘 要................................................ I Abstract ............................................... II 第一章 引言............................................ 1

2、 第二章 兩首大管協(xié)奏曲的背景介紹 ....................... 4 一、協(xié)奏曲的發(fā)展 ................................... 4 二、作曲家簡(jiǎn)介 ..................................... 5 （一）維瓦爾第 ..................................... 5 （二）莫扎特 ....................

3、.................. 6 三、作曲家創(chuàng)作風(fēng)格的比較 .......................... 7 第三章 兩首大管協(xié)奏曲第一樂(lè)章樂(lè)譜分析與比較 ........... 8 一、維瓦爾第《g 小調(diào)大管協(xié)奏曲》 .................... 8 二、莫扎特《降 B 大調(diào)大管協(xié)奏曲》 ................... 9 三、兩首作品音樂(lè)手法與結(jié)構(gòu)的比較研究 ............

4、...11 第四章 兩首大管協(xié)奏曲演奏特點(diǎn)分析與比較 .............. 16 一、演奏技巧分析 .................................. 16 （一）短句 ........................................ 16 （二）樂(lè)句與呼吸 ................................... 17 （三）吐音 .................

5、....................... 19 二、兩首協(xié)奏曲演奏特點(diǎn)的比較 ...................... 19 （一）短句的分句規(guī)則 ............................... 19 （二）演奏力度的控制 ............................... 19 （三）樂(lè)句的分句與連接 .............................. 22 （四） （Cad

6、enza）華彩部分的處理 ....................... 22 結(jié) 語(yǔ)................................................ 26 參考文獻(xiàn).............................................. 27 致 謝................................................ 29 維瓦爾第與莫扎特兩

7、首大管協(xié)奏曲的比較研究 II A Comparative Study of the two bassoon concertos of Vivaldi and Mozart Abstract Vivaldi and Mozart are important composers of the Baroque and Classical periods, and their works fully represent the charact

8、eristics of the two periods. They generally have the same upbringing, which also make their works similarly. However, this article is to introduce and compare two works: “Basson Concerto in G minor”and “Concerto in Bb fo

9、r Basson”. According to Concerto, these two neck and neck composers-- Vivaldi and Mozart have outstanding contributions to the genre, also in the creation of this instrument for bassoon concerto. Especially Mozart's

10、 “Concerto in Bb for Basson” (K.191) is the world-famous track, and it is also indispensable in the bassoon game or important show. There were a lot of research in the works of Mozart, so we can find the related material

11、s, on the contrary, the related material about Vivaldi’s works are very few, and then basically there were not many studies to compare the two composers and their two works. In this way, it is certainly a little difficul

12、t for me. This paper attempts to analyze and compare from the structure and tone style of “Basson Concerto in G minor” and “Concerto in Bb for Basson” based on the characteristics of the era, the life and the origin of

13、concerto of the two composers. This can make people more familiar with and understanding of the two works, and also has a certain understanding of the main musical instrument bassoon. This paper is divided into four sec

14、tions: Introduction, research topics include academic background and significance of the literature review, the source of the research topic, the purpose of the study and research contents. The body of this article descr

15、ibes the origins of the concerto, Vivaldi and Mozart’s lives and characteristics of the times, and then makes us more aware of their creative intent. Also In this paper, a key part of the“Basson Concerto in G minor” and

16、“Concerto in Bb for Basson” on the analysis of two works of musical structure, as well as analysis of harmonies and modal part, through the analysis of these two summed up the differences in their creative identity. The