紅色歌曲歌詞中的國家形象的建構(gòu)批評性語篇分析視角

1、分類號： 分類號： 學校代碼： 學校代碼：10069 10069 密級： 級： 學號： 學號：120140117 120140117 紅色歌曲歌詞中的國家形象的建構(gòu) 紅色歌曲歌詞中的國家形象的建構(gòu) ---批評性語篇分析視角 批評性語篇分析視角 National Images Construction in the Lyri

2、cs of the Red Songs -- A Critical Discourse Perspective 研 究 生 姓 名 ：崔金媛 專業(yè)名稱：外國語言學及應(yīng)用語言學 指導教師姓名：趙芃 副教授 論文提交日期：2016 年 5 月 學位授予單位：天津商業(yè)大學Abstract Since the red song first came into being, it has been the main stream in China

3、’s music circle. Among various forms of art, the music is the one that rises directly from the very bottom of people’s heart and has the most powerful appeal. And it’s also an artistic form that has the closest connectio

4、n with the lives of the masses and the easiest one to pass down from generation to generation. The government plays a leading role in promoting the singing and appreciation activities of red songs. All kinds of singing c

5、ontests keep emerging. From the perspective of Critical Discourse Analysis (CDA), the thesis gives an explanation for the similarities and differences between the national images constructed by the lyrics of China’s red

6、songs and all other images, trying to find out their connections and changes. The data in the thesis is quoted from the 2009 Track List“紅歌一百首”(100 Red Songs), which was issued after online voting and government censorin

7、g. As the focus of analyzed national images is the changes happened in China’s society after 1949, the founding of the People’s Republic of China, the time division in analysis includes three stages: the first stage from

8、 1949 to 1966, the initial construction of socialism; the second stage from 1966 to 1976, the Cultural Revolution; and the third stage from 1976 till now, the economic construction. According to the conceptual metaphor,

9、 filed visits were paid to the source and target domains showed in the lyrics and their characteristics and similarities were then analyzed and summarized, in which different focuses are found in the songs of different s