民間審美文化的奇葩——乾州春會研究

1、吉首大學(xué)碩士學(xué)位論文民間審美文化的奇葩——乾州春會研究姓名：王曉華申請學(xué)位級別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：田茂軍20100501ABSTRACT 第 頁 iiABSTRACT The Spring Festival gathering of Qian zhou, as a ritual of Spring Festival, and a product of agricultural civilization, is an impo

2、rtant important agricultural ritual held at the beginning of spring. The party is fully-welcomed, and its aim is to drive the devil away and get happiness. From the perspective of folk literature and art, the Spring Fest

3、ival of Qian zhou is a legend of folk aesthetic culture. Nationally, the folk Spring Festival parties are widely available, however, the welcoming ceremony in the Spring Festival has been very rare. The spring Festival g

4、athering of Qian zhou continues to exist, which reflects tcollective character and a common temperament of Qian zhou people, carters to the common needs of Qian zhou people, and builds up a special spirit and aesthetic w

5、orld of Qian zhou people. At the meantime, it also reflects a historical process in the society, which exists as a self-realization of Qian zhou's multi-ethnic spirit. The spring Festival party, which has a long hist

6、ory and rich cultural accumulation, and a clear imprint of the national history, is a symbol of national unity, so to some extent, it forms a relatively stable aesthetic culture, becoming one of “symbolic culture“ of Qia

7、n zhou and a legend of folk aesthetic culture of Western Hunan. The cultural background of the spring Festival party of Qian zhou, is determined by a natural and social environment. As for the progress of politics, econo

8、my, and culture, a direct impact on people's way of life takes place,and affects the handing down of the spring Festival gathering of Qian zhou. With the change of periods, the spring Festival gathering of Qian zhou

9、gradually disappears from the official ceremonies, but still hasa broad social base in society. Under the impetus of the civil power, the officials sometimes still dominate the aesthetic tradition, virtually playing the

10、role of political indoctrination. The social function of the spring Festival gathering of Qian zhou is mainly in three aspects, one being political indoctrinationally function. As society changes, attention paying on ag

11、ricultural functions slowly weakens while the spring partystill has a social control function, and to a certain extent, it maintains a social harmony and stability. The second is aesthetic function. It concretes on the a

12、esthetic characteristics and the carnival nature of the ceremony, so people see it as a continuation of the New Year approach, since leisure and entertainment constituting their main features. The third is the cultural h

13、eritage features. With holding the spring party, the inherent aesthetic spirits and the artistic forms are displayed concretely, which is also a presentation of the aesthetic culture of its nation. With the globalizatio