武氏祠畫像石拓片黑白裝飾性研究與應(yīng)用

1、 北 京 印 刷 學(xué) 院 碩 士 學(xué) 位 論 文設(shè) 計 藝 術(shù) 學(xué) 專 業(yè)二 ○ 一 三 屆邢 楠中圖分類號： 密級： 碩士學(xué)位論文 武氏祠畫像石拓片黑白 武氏祠畫像石拓片黑白 裝飾性研究與應(yīng)用 裝飾性研究與應(yīng)用 Study on the monochrome of rubbing in the shrine of Wu family 專 業(yè)： 設(shè)計藝術(shù)學(xué) 研 究 生： 邢楠 指導(dǎo)教師： 田忠利教授 二〇一三年十月 ABSTRA

2、CT This paper mainly discusses the Han portrait stone figures in the temple, animal and plant production methods, which lead to a rubbing painting effect -- effect of black and white. Based on the stone relief image, com

3、position, black and white effect analysis, so as to guide another art products -- illustration. Through to the Han portrait stone and decorative features of the image research, into the illustration manifestations of, an

4、d make the modern illustration combination, promote traditional culture and art at the same time, to produce a new painting style and effect, and for illustration method expands the content. Portrait stone at times on th

5、e cultural and social environment in the reference, and formed its own unique artistic form. In its backside, also contains people's psychological needs and spiritual sustenance. Based on the research results of the

6、related disciplines, from the whole of the figure painting stones were analyzed, this article aims at the integrated pattern study, psychology of art, art and other related discipline knowledge, learn to focus on objects

7、 with pattern. On the portrait stone temple art forms, to conduct a comprehensive analysis of the modelling language. Especially in the perspective of processing, line using, propagation and Jane contrast modeling langua

8、ge analysis. Han Dynasty stone art is a historical book, in such information rapid society, increasingly show his artistic value and cultural value. Key words: the Han portrait stone; temple; black and white decorative;