明代狀元造像創(chuàng)作的美學(xué)特征研究

1、沈陽(yáng)建筑大學(xué)碩士學(xué)位論文明代狀元造像創(chuàng)作的美學(xué)特征研究姓名：李彥彥申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：設(shè)計(jì)藝術(shù)學(xué)指導(dǎo)教師：徐文2011-01Ⅱ Abstract 碩士研究生學(xué)位論文 Abstract Zhuangyuan in history is a spiritual and cultural significance of particular groups. They wrote a thousand year

2、s of feudal history of China down and f ormation in culture and wrote books. They turn the tide in politics and play the leading role in the literary arts. They are the representatives of

3、the mainstream of traditional Chinese culture. They are t he formation and development of Chinese culture of the elite force,too. The long zhuangyuan Picture constitutes a form of art history b

4、ooks. Based on the traditional research, Zhuangyuan's statues innovationally pursuit the artistic effect of a paper mural. It uses thick and heavy in colours and light colors, combines with

5、impressionistic and realistic performance method, focus on painting techniques of diversity fusion and accords with the real historical records. By studying the performance of Chinese painting tec

6、hniques and creative thinking to abandon the traditional, explorate and practice the effect of Chinese painting murals on the wall. According to subjective and objective conditions of innovative

7、 painting techniques with traditional painting techniques, we give full play to infinity and no regularity . Rail lines break the traditional boundaries and nailhead tail in pursuit of the beaut

8、y of the screen for the free play . This way guide future generations the right way to treat the traditional, modern and future. While art in the study and at the same time, We in- depth

9、understand Chinese history culture.It is zhuangyuan's survival of the background. We can better convey the image characteristics of zhuangyuan. According to historical records and descriptions

10、of characters in the arts to write Shape and spirit artistic effect. It m ainly to line and work with writing, the pursuit of the performance characteristics of the real personalities. So dif

11、ferent from the traditional image of god in the mural. Compared with the features of the Tang Dynasty zhuangyuan, we can see the image features and figures are emphasis on realistic style of

12、 the Ming Dynasty zhuangyuan. It bold attempt to meticulous and freehand ink and the western oil painting or other effects of light and shadow in color. We should have the courage to based

13、on object creation. Not only make the screen is in line with historical reality but also demonstrate the colorful visuals and harmonious. Whether the form of statues Chinese painting techniques

14、, the pigmentand or subject matter are not same to the modern decorative murals and the performance of historical themes. It created a symmetrical balanced form of the wall and Creative zhuan

15、gyuan's image that very far away from us. Then to display the “true“ and “good“ aesthetic characteristics of the screen in front of the modern audience. This paper study Ming dynasty Zhuan

16、gyuan's characters image creation “truth“ and “ goodness “ aesthetic features of research, discusses the characteristics of artistic innovation of Zhuangyuan statues. Through modeling creation